Raag Hamsadhwani | Parveen Sultana | Music of India
462.9 هزار بار بازدید -
3 سال پیش
-
#parveen
#parveen #hamsadhwani #indianclassicalvocal
Upon the request of Pandit Vishwa Mohan Bhatt, who was also part of the Darbar 2007 line-up, Begum Parveen Sultana embarks upon this beautiful tarana in Raag Hamsadhwani. After a captivating alaap establishing the raga in all four octaves, Begum Sultana begins the tarana, embellishing it with alluring phrases and combinations.
Enjoy this music piece? You can WATCH THE FULL VIDEO HERE –https://bit.ly/3Aufh47
You can start your free no-obligation trial of the Darbar Player and watch the full performance today. Click here and sign up for a no obligation 3 trial and watch the full length version of this video now at - https://bit.ly/3Aufh47 - You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Check out your app stores and search for the Darbar App today.
You might be asking, why is Darbar giving me a free trial? We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those of things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine.
In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation.
Click https://bit.ly/3Aufh47 to start your free no-obligation 3 day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊 ______________________________________________________________
Learn more about the music:
Hamsadhwani is a Carnatic import into the Hindustani system of ragas. It is an upanga janya of the 29th melakarta Dhirasankarabharana. It is an audav raga. The swaras present in this raga are ṣaḍja, chatusrutii riṣabha, antara gandhara, pachama, kakali nisaddha. Its arohana and avarohaṇa are
S R2 G3 P N3 Ṡ - Ṡ N3 P G3 R2 S.
In Western music notation, if C is taken as the base or tonic note, then the scale is
C D E G B C - C B G E D C
This raga was created by Ramaswami Dikṣhitar, who was the father of one among the trinity of Carnatic music, Muttuswami Dikṣitar. It is a rakti raga or a raga which pleases instantaneously. It offers ample scope for improvisation. It is considered as an auspicious raga and is well-suited as a minor raga in a concert. It gives rise to Nagasvaravaḷi from panchama through the process of grahabheda or modal shift of tonic.
Risabhaa, gandhara and nisadha are ragachaya swaras. All the swaras are nyasa swaras. G-N are vadi-samvadi. It can portray rasas adbhuta (wonder), vira (valour) very effectively, just as it can convey the feeling of devotion or bhakti bhava.
Musicians:
Begum Parveen Sultana (Patiala gharana)
Partha Sarathi Mukherjee (Tabla)
Chiranjib Chakraborty (Harmonium)
Gunwant Dhadyalla (Tanpura)
Nina Burmi (Tanpura)
Ranjana Ghatak (Tanpura)
Debipriya Das (Support)
________________________________________________________________
Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity, we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK.
All Rights Reserved ©2021 Darbar Arts Culture Heritage Trust
Upon the request of Pandit Vishwa Mohan Bhatt, who was also part of the Darbar 2007 line-up, Begum Parveen Sultana embarks upon this beautiful tarana in Raag Hamsadhwani. After a captivating alaap establishing the raga in all four octaves, Begum Sultana begins the tarana, embellishing it with alluring phrases and combinations.
Enjoy this music piece? You can WATCH THE FULL VIDEO HERE –https://bit.ly/3Aufh47
You can start your free no-obligation trial of the Darbar Player and watch the full performance today. Click here and sign up for a no obligation 3 trial and watch the full length version of this video now at - https://bit.ly/3Aufh47 - You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Check out your app stores and search for the Darbar App today.
You might be asking, why is Darbar giving me a free trial? We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those of things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine.
In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation.
Click https://bit.ly/3Aufh47 to start your free no-obligation 3 day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊 ______________________________________________________________
Learn more about the music:
Hamsadhwani is a Carnatic import into the Hindustani system of ragas. It is an upanga janya of the 29th melakarta Dhirasankarabharana. It is an audav raga. The swaras present in this raga are ṣaḍja, chatusrutii riṣabha, antara gandhara, pachama, kakali nisaddha. Its arohana and avarohaṇa are
S R2 G3 P N3 Ṡ - Ṡ N3 P G3 R2 S.
In Western music notation, if C is taken as the base or tonic note, then the scale is
C D E G B C - C B G E D C
This raga was created by Ramaswami Dikṣhitar, who was the father of one among the trinity of Carnatic music, Muttuswami Dikṣitar. It is a rakti raga or a raga which pleases instantaneously. It offers ample scope for improvisation. It is considered as an auspicious raga and is well-suited as a minor raga in a concert. It gives rise to Nagasvaravaḷi from panchama through the process of grahabheda or modal shift of tonic.
Risabhaa, gandhara and nisadha are ragachaya swaras. All the swaras are nyasa swaras. G-N are vadi-samvadi. It can portray rasas adbhuta (wonder), vira (valour) very effectively, just as it can convey the feeling of devotion or bhakti bhava.
Musicians:
Begum Parveen Sultana (Patiala gharana)
Partha Sarathi Mukherjee (Tabla)
Chiranjib Chakraborty (Harmonium)
Gunwant Dhadyalla (Tanpura)
Nina Burmi (Tanpura)
Ranjana Ghatak (Tanpura)
Debipriya Das (Support)
________________________________________________________________
Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity, we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK.
All Rights Reserved ©2021 Darbar Arts Culture Heritage Trust
3 سال پیش
در تاریخ 1400/06/13 منتشر شده
است.
462,911
بـار بازدید شده