Raag Maluha Maand | Parveen Sultana | Music of India
44.3 هزار بار بازدید -
2 سال پیش
-
#vocal
#vocal #indianmusic #darbarfestival
Raag Maluha Maand is a form of Maand into which, the ‘Maluha-ang’ or Maluha-like characteristics have been infused. Raag Maand belongs to Bilawal thaat and is a derivative of the folk tunes of the nomadic tribes who roam the sand dunes of Rajasthan in western India. It is a lilting melody, capable of transporting its listeners to an idyllic world and also has the versatility to blend into other tunes effortlessly. Lighter compositions in Maand keep gliding in and out of various ragas, thus creating a beautiful horizon for the listeners.
Enjoy this music piece? You can WATCH THE FULL VIDEO HERE –https://bit.ly/3Aufh47
You can start your free no-obligation trial of the Darbar Player and watch the full performance today. Click here and sign up for a no obligation 3 trial and watch the full length version of this video now at - https://bit.ly/3Aufh47 - You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Check out your app stores and search for the Darbar App today.
You might be asking, why is Darbar giving me a free trial? We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those of things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine.
In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation.
Click https://bit.ly/3Aufh47 to start your free no-obligation 3 day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊
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More about the music
This raga is a coveted repertoire of Begum Parveen Sultana; YouTube has several versions of her rendition of this tarana, but this one stands out for the panache with which she embellishes the composition on the spot.
Begum Sultana introduces the raga with an alaap, detailing it in all its octaves. She highlights the teevra Ma now and then, lengthening the delightful moments of the raga. The tarana in drut Teental is fertile with the choicest taans in chaugun.
Chiranjib Chakraborty gives an outstanding accompaniment on the harmonium, wedging beautiful phrases in between Begum Sultana’s improvisations. Partha Sarathi Mukherjee provides a masterful support on the tabla.
Musicians
Begum Parveen Sultana (Patiala gharana)
Partha Sarathi Mukherjee (tabla)
Chiranjib Chakraborty (harmonium)
Gunwant Dhadyalla (tanpura)
Nina Burmi (tanpura)
Ranjana Ghatak (tanpura)
Debipriya Das (support)
________________________________________________________________
Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity, we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK.
All Rights Reserved ©2022 Darbar Arts Culture Heritage Trust
Raag Maluha Maand is a form of Maand into which, the ‘Maluha-ang’ or Maluha-like characteristics have been infused. Raag Maand belongs to Bilawal thaat and is a derivative of the folk tunes of the nomadic tribes who roam the sand dunes of Rajasthan in western India. It is a lilting melody, capable of transporting its listeners to an idyllic world and also has the versatility to blend into other tunes effortlessly. Lighter compositions in Maand keep gliding in and out of various ragas, thus creating a beautiful horizon for the listeners.
Enjoy this music piece? You can WATCH THE FULL VIDEO HERE –https://bit.ly/3Aufh47
You can start your free no-obligation trial of the Darbar Player and watch the full performance today. Click here and sign up for a no obligation 3 trial and watch the full length version of this video now at - https://bit.ly/3Aufh47 - You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Check out your app stores and search for the Darbar App today.
You might be asking, why is Darbar giving me a free trial? We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those of things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine.
In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation.
Click https://bit.ly/3Aufh47 to start your free no-obligation 3 day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊
________________________________________________________________
More about the music
This raga is a coveted repertoire of Begum Parveen Sultana; YouTube has several versions of her rendition of this tarana, but this one stands out for the panache with which she embellishes the composition on the spot.
Begum Sultana introduces the raga with an alaap, detailing it in all its octaves. She highlights the teevra Ma now and then, lengthening the delightful moments of the raga. The tarana in drut Teental is fertile with the choicest taans in chaugun.
Chiranjib Chakraborty gives an outstanding accompaniment on the harmonium, wedging beautiful phrases in between Begum Sultana’s improvisations. Partha Sarathi Mukherjee provides a masterful support on the tabla.
Musicians
Begum Parveen Sultana (Patiala gharana)
Partha Sarathi Mukherjee (tabla)
Chiranjib Chakraborty (harmonium)
Gunwant Dhadyalla (tanpura)
Nina Burmi (tanpura)
Ranjana Ghatak (tanpura)
Debipriya Das (support)
________________________________________________________________
Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity, we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK.
All Rights Reserved ©2022 Darbar Arts Culture Heritage Trust
2 سال پیش
در تاریخ 1401/10/10 منتشر شده
است.
44,345
بـار بازدید شده