Painting a Bluebird in Oils
12.1 هزار بار بازدید -
5 سال پیش
-
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In this tutorial I will be showing you my process for painting this bluebird in oils. This was a very fun and fairly easy subject to paint. If I were to paint this again however, I would definitely paint in my background first. Let all of it dry completely then transfer or free-hand the bird and branch after. This allows a place for your hand to rest as you paint in the smaller details without disturbing the wet paint on the background.
This is simply the process I have found over the years to be helpful in my own paintings to achieve realism. Below is a list of the supplies I used for this painting. Feel free to experiment with different colors to make this painting your own creation. I used a variety of small brushes, so please use your favorites as well.
If you try any of my paintings please use the hashtag #bozarttutorials so I can see them!
Follow me on Facebook: Facebook: Bozartstudio
Follow me on Instagram: Instagram: boz._art
REFERENCE PHOTO: Photo by Tina Nord from Pexels https://www.pexels.com/photo/photogra...
SUPPLIES USED
-11X14" Centurion Oil Primed Linen Panel
-Glass Pallet
-Mineral Spirits
-Galkyd Medium or Liquin Original
-Viva Paper towels
PAINT COLORS
-Titanium White
-Ivory Black
Alizarin Crimson
-Magenta
-Cerulean Blue
-Manganese Blue
-Prussian Blue
-Cobalt Blue
-Burnt Sienna
-Burnt Umber
-Yellow Ochre
-Red Ochre
-Cadmium Red
-Zinc White
-Violet
CANVAS PREP:
I used a thin glaze (ink consistency) of Burnt Umber, Galkyd medium and mineral spirits to tone my canvas. Once that layer had dried completely I then added my sketch using transfer paper.
I hope you find these tutorials helpful in your painting adventures! And as always, please COMMENT, LIKE, SUBSCRIBE and SHARE!
In this tutorial I will be showing you my process for painting this bluebird in oils. This was a very fun and fairly easy subject to paint. If I were to paint this again however, I would definitely paint in my background first. Let all of it dry completely then transfer or free-hand the bird and branch after. This allows a place for your hand to rest as you paint in the smaller details without disturbing the wet paint on the background.
This is simply the process I have found over the years to be helpful in my own paintings to achieve realism. Below is a list of the supplies I used for this painting. Feel free to experiment with different colors to make this painting your own creation. I used a variety of small brushes, so please use your favorites as well.
If you try any of my paintings please use the hashtag #bozarttutorials so I can see them!
Follow me on Facebook: Facebook: Bozartstudio
Follow me on Instagram: Instagram: boz._art
REFERENCE PHOTO: Photo by Tina Nord from Pexels https://www.pexels.com/photo/photogra...
SUPPLIES USED
-11X14" Centurion Oil Primed Linen Panel
-Glass Pallet
-Mineral Spirits
-Galkyd Medium or Liquin Original
-Viva Paper towels
PAINT COLORS
-Titanium White
-Ivory Black
Alizarin Crimson
-Magenta
-Cerulean Blue
-Manganese Blue
-Prussian Blue
-Cobalt Blue
-Burnt Sienna
-Burnt Umber
-Yellow Ochre
-Red Ochre
-Cadmium Red
-Zinc White
-Violet
CANVAS PREP:
I used a thin glaze (ink consistency) of Burnt Umber, Galkyd medium and mineral spirits to tone my canvas. Once that layer had dried completely I then added my sketch using transfer paper.
I hope you find these tutorials helpful in your painting adventures! And as always, please COMMENT, LIKE, SUBSCRIBE and SHARE!
5 سال پیش
در تاریخ 1398/10/25 منتشر شده
است.
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