Valley of King (Watch before you go)
816 بار بازدید -
6 ماه پیش
-
The kings of the New
The kings of the New Kingdom (c. 1539–1075 BCE), fearing for the safety of their rich burials, adopted a new plan of concealing their tombs in a lonely valley in the western hills behind Dayr al-Baḥrī. There, in tombs sunk deep into the heart of the mountain, pharaohs were interred, as were several queens, a few officials of high rank, and the numerous sons of Ramses II. The plan of the tombs varies considerably but consists essentially of a descending corridor interrupted by deep shafts to baffle robbers and by pillared chambers or vestibules. At the farther end of the corridor is a burial chamber with a stone sarcophagus in which the royal mummy was laid and store chambers around which furniture and equipment were stacked for the king’s use in the next world.
The walls were in many cases covered with sculptured and painted scenes depicting the dead king in the presence of deities, especially the gods of the underworld, and with illustrated magical texts similar to those found in funerary papyri, designed to help him on his journey through the nether regions. There were a number of these texts; they represent differing but not necessarily conflicting views of the afterlife, in which the king had to undergo trials and surmount perils. In the “Book of That Which Is in the Underworld,” for instance, he travels in the boat of the sun god through 12 divisions that represent the 12 hours of the night. In the “Book of Gates,” giant serpents guard the portals through which the sun has to pass as strange demons help or hinder the boat on its way. Other funerary compositions include the “Book of Day” and the “Book of Night,” which depict Nut, the sky-goddess, spread out across the heavens, as well as the “Book of the Heavenly Cow,” in which Nut is transformed into a cow on whom Re ascends to the firmament. Astronomical figures decorate the ceilings of several burial chambers.
-- I took local tour to cover this all location --
The walls were in many cases covered with sculptured and painted scenes depicting the dead king in the presence of deities, especially the gods of the underworld, and with illustrated magical texts similar to those found in funerary papyri, designed to help him on his journey through the nether regions. There were a number of these texts; they represent differing but not necessarily conflicting views of the afterlife, in which the king had to undergo trials and surmount perils. In the “Book of That Which Is in the Underworld,” for instance, he travels in the boat of the sun god through 12 divisions that represent the 12 hours of the night. In the “Book of Gates,” giant serpents guard the portals through which the sun has to pass as strange demons help or hinder the boat on its way. Other funerary compositions include the “Book of Day” and the “Book of Night,” which depict Nut, the sky-goddess, spread out across the heavens, as well as the “Book of the Heavenly Cow,” in which Nut is transformed into a cow on whom Re ascends to the firmament. Astronomical figures decorate the ceilings of several burial chambers.
6 ماه پیش
در تاریخ 1402/10/17 منتشر شده
است.
816
بـار بازدید شده