Choral Writing for Orchestral Composers
3.2 هزار بار بازدید -
3 سال پیش
-
https://daviddas.com -- If you are a composer with an orchestral background wanting to know more about writing for choir, this video is for you. In twelve minutes, I cover all the basics about writing for choir from the perspective of an orchestral composer.
Thanks to my colleague, Scottish composer Chris Hutchings, for providing a very helpful and comprehensive guide to singer ranges, which is embedded in this video. Chris can be found at https://hutchingsmusic.co.uk and on Twitter at Twitter: hutchingsmusic.
0:00 Intro
0:49 Intro to ranges
1:26 Parallels between string and choral writing
1:34 Sopranos
2:05 Dynamics in the high range
2:18 Tessitura
3:41 Altos
4:03 Tenors
4:37 Falsetto
5:11 Baritones
5:35 Basses
5:48 Do you have to use all voice parts?
6:52 Different stave configurations
7:42 The importance of breath
8:36 Singer fatigue
9:01 The importance of variety in choral writing
9:33 Clusters and atonality
10:16 Chris Hutchings voice range chart
10:33 Vocal range charts are a 2D solution to a 3D problem
11:06 Conclusions
Thanks to my colleague, Scottish composer Chris Hutchings, for providing a very helpful and comprehensive guide to singer ranges, which is embedded in this video. Chris can be found at https://hutchingsmusic.co.uk and on Twitter at Twitter: hutchingsmusic.
0:00 Intro
0:49 Intro to ranges
1:26 Parallels between string and choral writing
1:34 Sopranos
2:05 Dynamics in the high range
2:18 Tessitura
3:41 Altos
4:03 Tenors
4:37 Falsetto
5:11 Baritones
5:35 Basses
5:48 Do you have to use all voice parts?
6:52 Different stave configurations
7:42 The importance of breath
8:36 Singer fatigue
9:01 The importance of variety in choral writing
9:33 Clusters and atonality
10:16 Chris Hutchings voice range chart
10:33 Vocal range charts are a 2D solution to a 3D problem
11:06 Conclusions
3 سال پیش
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