Hotel California by Eagles - Song Meaning

#songmeaning #hotelcalifornia #eagles Hotel California was initially rumoured to be about drug addiction or Satanic worshipping, but Don Henley had a more plain outlook: “We were all middle-class kids from the Midwest,” he said. “‘Hotel California’ was our interpretation of the high life in Los Angeles.” Working in Miami, the Eagles were initially unable to re-create guitarist and co-writer Don Felder’s 12-string intro and elaborate twin-guitar coda. Panicked, Felder called his housekeeper in L.A. and sent her digging through a pile of tapes in his home studio so she could play his demo back over the phone. Hotel California, is the title track from the Eagles' Hotel California album, released as a single in 1977. The lyrics of the song have been interpreted by fans and critics alike, the Eagles themselves describing the song as their "interpretation of the high life in Los Angeles." In the 2013 documentary History of the Eagles, Henley said that the song was about "a journey from innocence to experience ... that's all." Frey and Henley were both interested in the tune after hearing the demo, and discussed the concept for the lyrics. In 2008, Felder described the writing of the lyrics: Don Henley and Glenn wrote most of the words. All of us kind of drove into L.A. at night. Nobody was from California, and if you drive into L.A. at night ... you can just see this glow on the horizon of lights, and the images that start running through your head of Hollywood and all the dreams that you have, and so it was kind of about that ... what we started writing the song about. Henley decided on the theme of "Hotel California", noticing how The Beverly Hills Hotel had become a focal point of their lives at that time. Henley said of their personal and professional experience in LA: "We were getting an extensive education, in life, in love, in business. Beverly Hills was still a mythical place to us. In that sense it became something of a symbol, and the 'Hotel' the locus of all that LA had come to mean for us. In a sentence, I'd sum it up as the end of the innocence, round one." Frey came up with a cinematic scenario of a person who, tired from driving a long distance in a desert, saw a place for a rest and pulled in for the night, but entered "a weird world peopled by freaky characters", and became "quickly spooked by the claustrophobic feeling of being caught in a disturbing web from which he may never escape". In an interview Frey said that he and Henley wanted the song "to open like an episode of the Twilight Zone", and added: "We take this guy and make him like a character in The Magus, where every time he walks through a door there's a new version of reality. We wanted to write a song just like it was a movie." Frey described the song in an interview with NBC's Bob Costas as a cinematic montage "just one shot to the next ... a picture of a guy on the highway, a picture of the hotel, the guy walks in, the door opens, strange people". Frey continued: "We decided to create something strange, just to see if we could do it." Henley then wrote most of the lyrics based on Frey's idea, and sought inspiration for the writing by driving out into the desert as well as from films and theatre. Part of the lyrics, such as "Her mind is Tiffany-twisted, she got the Mercedes bends / She got a lot of pretty pretty boys she calls friends", are based on Henley's break-up with his girlfriend Loree Rodkin. According to Frey's liner notes for The Very Best Of, the use of the word "steely" in the lyric, "They stab it with their steely knives, but they just can't kill the beast", was a playful nod to the band Steely Dan, who had included the lyric "Turn up the Eagles, the neighbors are listening" in their song "Everything You Did". Frey had also said that the writing of the song was inspired by the boldness of Steely Dan's lyrics and its willingness to go "out there" and thought that the song they wrote had "achieved perfect ambiguity." Henley decided that the song should be a single, although Felder had doubts and the record company was reluctant to release it because, at over six minutes, its duration far exceeded that of the songs generally played by radio stations. The band took a stand and refused the label's request to shorten the song. Commercially, "Hotel California" reached the number one position on the Billboard Hot 100 and reached the top ten of several international charts. The song is considered the best-known recording by the band, and in 1998 its long guitar coda was voted the best guitar solo of all time by readers of Guitarist. https://www.songcontext.com/songs/hotel-california

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