Liszt - Capriccio alla turca sur des motifs de Beethoven, S388 (Yoo)
510.3 هزار بار بازدید -
5 سال پیش
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For some reason this piano
For some reason this piano transcription of the ever-popular Turkish March from The Ruins of Athens disappeared from view, to be replaced in pianists’ affections by the well-known transcription by Anton Rubinstein. Liszt’s version—every bit as interesting—is one of his rarest works; the identical pages stand at the head of the score of Capriccio alla turca, a much more extensive piece in Liszt’s virtuoso manner, in which the March (No 4 in Beethoven’s score) is succeeded by the Dervishes’ Chorus (No 3 in Beethoven’s score; also, at one time, known in a piano transcription by Saint-Saëns) in a section marked Andante fantastico, full of diabolical trills. Eventually the March returns, much transformed, and both themes are used to produce a triumphant coda. Yoo's hot-blooded, masculine performance does the work great justice.
5 سال پیش
در تاریخ 1398/08/03 منتشر شده
است.
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