Best then, better now | Dr Prabha Atre | Raag Bhairavi | Music of India
1 میلیون بار بازدید -
10 سال پیش
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#darbarfestival |
#darbarfestival | Prabha Atre, now in her 80s, demonstrates that age does not have to be a barrier to exceptional musicianship. Here she leads a khayal group through Bhairavi.
Learn more about the music:
Prabha Atre did not originally play to pursue a musical career. But aged eight, her mother was ill and took a friend’s suggestion to take classical singing lessons to help her feel better. The young Prabha was inspired by overhearing the lessons, and studied with Kirana gharana gurus including Sureshbabu Mane and Hirabai Badodekar. She also credits Amir Khan and Bade Ghulam Ali Khan with influencing her gayaki. She has also received degrees in both science and law, and earned a PhD in the use of sargam in Indian classical. Now in her 80s, she continues to captivate audiences with a refined yet often exuberant style.
Bhairavi is often described as the ‘queen of ragas’. It takes its name from the Hindu goddess of destruction, and conjures versatile moods. To some it can evoke ‘awe, terror, and chaos’; to others ‘a pleasant sobering atmosphere of love and piety’. It is played at sunrise, or alternatively as the final piece in a concert. Understanding the raga in depth is crucial to Hindustani learning - bansuri master Rupak Kulkarni recounts the approach of his guru Hariprasad Chaurasia: “Guruji taught me Raag Bhairavi for five years. When I complained about the repetition, he said: ‘You have to practice Bhairavi until your last breath’. That is what made me realize what swarabhyas [the study of notes] means”.
It is based on the form SrgmPdnS - all swaras [notes] are komal [flattened] except Sa, Ma, and Pa, like the Western Phrygian scale or Carnatic Raga Hanumatodi. The vadi and samvadi [king and queen notes] are typically taken to be Ma and Sa. The raga commonly takes a versatile mishra (‘mixed’) form - all 12 notes are allowed, thus injecting some comparatively rare chromaticism into Hindustani music. Its flexibility is unmatched in the raga pantheon.
Recorded for Darbar on 21 Sep 2014, at London’s Southbank Centre
-Dr Prabha Atre (khayal)
-Bharat Bhushan Goswami (sarangi)
-Ajay Joglekar (harmonium)
-Sanju Sahai (tabla)
-Chetna Banawat (khayal & tanpura)
-Gunwant Kaur (surmandal)
-Priya Parkash (tanpura)
WATCH HUNDREDS OF FULL-LENGTH VIDEOS on our premium subscription service. You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Start your free trial at - https://bit.ly/3urynms
Here are some links to our most-watched full-length videos. Click the below links and start your free trial to start watching immediately.
- Ustad Shahid Parvez Khan & Ojas Adhiya (69 minutes) - https://bit.ly/3urSTUf
- Aruna Sairam full concert (108 minutes) - https://bit.ly/3vPcAW2
- Percussion Masters concert featuring Satyajit Talwalkar, Sukhwinder Singh Pinky, Sai Giridhar & Giridhar Udupa (108 minutes) - https://bit.ly/3xNix7X
- Churning The Ocean documentary film on the Dhrupad maestro Ustad Bahauddin Dagar (66 minutes) - https://bit.ly/3h9aKv6
- Pandit Venkatesh Kumar full concert (93 minutes) - https://bit.ly/3vILwHW
The best thing is that you can experience this amazing music with your family any time from the comfort of your own home. It provides you with the warmth of a live concert experience and gives you access to some of the finest performances by the world’s best musicians playing their favourite ragas. We believe that the cultural education experience for you and your whole family is priceless.
You might be asking, why is Darbar giving me a free trial? We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine.
In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation.
Click https://bit.ly/3urynms to start your free no-obligation 3-day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊
Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK.
All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust
Learn more about the music:
Prabha Atre did not originally play to pursue a musical career. But aged eight, her mother was ill and took a friend’s suggestion to take classical singing lessons to help her feel better. The young Prabha was inspired by overhearing the lessons, and studied with Kirana gharana gurus including Sureshbabu Mane and Hirabai Badodekar. She also credits Amir Khan and Bade Ghulam Ali Khan with influencing her gayaki. She has also received degrees in both science and law, and earned a PhD in the use of sargam in Indian classical. Now in her 80s, she continues to captivate audiences with a refined yet often exuberant style.
Bhairavi is often described as the ‘queen of ragas’. It takes its name from the Hindu goddess of destruction, and conjures versatile moods. To some it can evoke ‘awe, terror, and chaos’; to others ‘a pleasant sobering atmosphere of love and piety’. It is played at sunrise, or alternatively as the final piece in a concert. Understanding the raga in depth is crucial to Hindustani learning - bansuri master Rupak Kulkarni recounts the approach of his guru Hariprasad Chaurasia: “Guruji taught me Raag Bhairavi for five years. When I complained about the repetition, he said: ‘You have to practice Bhairavi until your last breath’. That is what made me realize what swarabhyas [the study of notes] means”.
It is based on the form SrgmPdnS - all swaras [notes] are komal [flattened] except Sa, Ma, and Pa, like the Western Phrygian scale or Carnatic Raga Hanumatodi. The vadi and samvadi [king and queen notes] are typically taken to be Ma and Sa. The raga commonly takes a versatile mishra (‘mixed’) form - all 12 notes are allowed, thus injecting some comparatively rare chromaticism into Hindustani music. Its flexibility is unmatched in the raga pantheon.
Recorded for Darbar on 21 Sep 2014, at London’s Southbank Centre
-Dr Prabha Atre (khayal)
-Bharat Bhushan Goswami (sarangi)
-Ajay Joglekar (harmonium)
-Sanju Sahai (tabla)
-Chetna Banawat (khayal & tanpura)
-Gunwant Kaur (surmandal)
-Priya Parkash (tanpura)
WATCH HUNDREDS OF FULL-LENGTH VIDEOS on our premium subscription service. You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Start your free trial at - https://bit.ly/3urynms
Here are some links to our most-watched full-length videos. Click the below links and start your free trial to start watching immediately.
- Ustad Shahid Parvez Khan & Ojas Adhiya (69 minutes) - https://bit.ly/3urSTUf
- Aruna Sairam full concert (108 minutes) - https://bit.ly/3vPcAW2
- Percussion Masters concert featuring Satyajit Talwalkar, Sukhwinder Singh Pinky, Sai Giridhar & Giridhar Udupa (108 minutes) - https://bit.ly/3xNix7X
- Churning The Ocean documentary film on the Dhrupad maestro Ustad Bahauddin Dagar (66 minutes) - https://bit.ly/3h9aKv6
- Pandit Venkatesh Kumar full concert (93 minutes) - https://bit.ly/3vILwHW
The best thing is that you can experience this amazing music with your family any time from the comfort of your own home. It provides you with the warmth of a live concert experience and gives you access to some of the finest performances by the world’s best musicians playing their favourite ragas. We believe that the cultural education experience for you and your whole family is priceless.
You might be asking, why is Darbar giving me a free trial? We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine.
In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation.
Click https://bit.ly/3urynms to start your free no-obligation 3-day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊
Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK.
All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust
10 سال پیش
در تاریخ 1393/08/30 منتشر شده
است.
1,004,352
بـار بازدید شده