daulat ke jhuthe nashe me ho choor _Oonchi Haveli_NirupaRoy & Karan Dewan_Rafi_BharatVyas_Pt.Shivram
230.3 هزار بار بازدید -
6 سال پیش
-
Song : daulat ke jhuthe
Song : daulat ke jhuthe nashe me ho choor..
Film : Oonchi Haveli,1955,
Singer : Mohammed Rafi, and Chorus
Lyricist : Bharat Vyas,
Music Director : Pt. Shivram,
Producer/Director: Dhirubhai Desai,
Cast : Karan Dewan,Nirupa Roy,Bhagwan, Lalita Pawar,B M Vyas,Bharat Vyas,Jankidas,
Production Banner : Sharad Productions,
Lyrics : -
daulat ke jhuthe nashe me ho choor
garibo ki duniya se rehte ho door
aji ek din aisa aayega
matti me sab mil jayega
matti hi audan matti bichavan
matti ka tan ban jayega
matti me sab mil jayega
unche aasman se bhi uchi teri aas hai
par kabhi socha nahi
ginti ki sans hai iska tu hisab kar
angutha ungliyo pe dhar
kitni kharch kar raha bhalai
kitni tu laga raha bhalai me
bhalai ka phal reh jayega
baki matti me sab mil jayega
matti hi audan matti bichavan
matti ka tan ban jayega
unchi haveli ye unche mahal
pal bhar jayenge pagle badal
le tu kisi ki duao ka phal
badi se tu tal aur neki pe chal
jaisa boyega vaisa payega
baki matti me sab mil jayega
daulat ke juthe nashe me ho choor
garibo ki duniya se rehte ho door
aji ek din aisa aayega
matti me sab mil jayega
matti hi audan matti bichavan
matti ka tan ban jayega
matti me sab mil jayega
daulat ke juthe nashe me ho choor..
Did you know ?
This song is picturised on lyricist Bharat Vyas..
Pt. Shivram Krishna
1927--1980
Remembering Pandit Shivram Krishna
Shivram Collage for GHZ_2
If one tries to think of music directors who gave music to films which had Hindu mythological stories, one can easily recall S. N. Tripathi, Avinash Vyas & Chitragupta. Another composer whose major work was mostly for such films, but is not remembered as much, is Pandit Shivram Krishna also known as Pandit Shivram, or simply Shivram.
tbcrPt. Shivram Krishna was born at Jodhpur on March 22, 1927. He started learning music at the age of 8 under the tutelage of his father Master Tulsidas, who worked with Marwar Record Company, Jodhpur from 1934 onwards. He was later employed in the court of the Maharaja of Jodhpur, Umed Singh as a singer/musician. It was the name and fame of Khemchand Prakash that inspired him to try his luck in films. At the age of 16, he went to Lahore where he worked under Pandit Amarnath and Master Ghulam Haider for around three years, only to return to Jodhpur at the time of partition. From the year 1948 till 1950 he worked as a music director with His Masters Voice in Lucknow, and then made his way to Mumbai in 1951.
At Mumbai, Pt. Shivram was given his first break by V. Shantaram, who signed him for two of his films – Teen Batti Chaar Raasta (1953) and Surang (1953). The music of both the films was appreciated and the films became silver jubilee hits. Besides these, V. Shantaram gave him two more films in 1960 - ‘Phool Aur Kaliyan’ and ‘Kaale Gore’, the first winning the National Award for Best Children film, while the second remained unreleased. He used the voices of V. Shantaram’s daughters Charusheela and Madhura in these children films.
Guzri Thi Raat Aadhi - Surang (1953) - Lata Mangeshkar - Shivram Krishna - Shevan Rizvi
Following the success of his initial films, Pt. Shivram caught the attention of Dhirubhai Desai and Nakhshab Jarchavi, who signed him for their next films, Oonchi Haveli (1955) and Raftaar (1955) respectively. The songs of these two films were also quite successful. Then came Sati Ansuya (1956), another film by Dhirubhai Desai that started the trend and literally sealed his fate as a composer of mythological films. Barring Naya Kadam (1958), a social drama, and Rangeela Raja (1960), a stunt film, and the two children films by V. Shantaram, all the films he got after Sati Ansuya were religious/ mythological films. In all, out of the 23 films he composed for, as many as 14 were religious/ mythological films.
Songs from Oonchi Haveli - Asha Bhosle, Mohd. Rafi, Shamshad Begum, Shivram & Parshuram - Shivram Krishna - Bharat Vyas
Despite composing some good songs for these films, the success he got with his initial films could not be repeated given the limited popularity of such films and similarity in the genre of songs. Barring a few songs from Shravan Kuman (1960), Kan Kan Mein Bhagwan (1963) and Sati Naari (1965), most of the songs are all but forgotten.
Pandit Shivram died in February 1980 leaving behind a family of musicians. His daughter Jayshree Shivram is a singer. Two of his sons, Jugal Kishore and Tilak Raj jointly composed for a few Hindi films, debuting with Bheegi Palkein (1983). His third son, Naveen Shivram had started his musical career with giving music for the serial Apnapan in 1999 and went to compose for a few small time Hindi films and some Rajasthani film and non-film albums as well. Another son, Mukesh, was also a composer and is no more.
Film : Oonchi Haveli,1955,
Singer : Mohammed Rafi, and Chorus
Lyricist : Bharat Vyas,
Music Director : Pt. Shivram,
Producer/Director: Dhirubhai Desai,
Cast : Karan Dewan,Nirupa Roy,Bhagwan, Lalita Pawar,B M Vyas,Bharat Vyas,Jankidas,
Production Banner : Sharad Productions,
Lyrics : -
daulat ke jhuthe nashe me ho choor
garibo ki duniya se rehte ho door
aji ek din aisa aayega
matti me sab mil jayega
matti hi audan matti bichavan
matti ka tan ban jayega
matti me sab mil jayega
unche aasman se bhi uchi teri aas hai
par kabhi socha nahi
ginti ki sans hai iska tu hisab kar
angutha ungliyo pe dhar
kitni kharch kar raha bhalai
kitni tu laga raha bhalai me
bhalai ka phal reh jayega
baki matti me sab mil jayega
matti hi audan matti bichavan
matti ka tan ban jayega
unchi haveli ye unche mahal
pal bhar jayenge pagle badal
le tu kisi ki duao ka phal
badi se tu tal aur neki pe chal
jaisa boyega vaisa payega
baki matti me sab mil jayega
daulat ke juthe nashe me ho choor
garibo ki duniya se rehte ho door
aji ek din aisa aayega
matti me sab mil jayega
matti hi audan matti bichavan
matti ka tan ban jayega
matti me sab mil jayega
daulat ke juthe nashe me ho choor..
Did you know ?
This song is picturised on lyricist Bharat Vyas..
Pt. Shivram Krishna
1927--1980
Remembering Pandit Shivram Krishna
Shivram Collage for GHZ_2
If one tries to think of music directors who gave music to films which had Hindu mythological stories, one can easily recall S. N. Tripathi, Avinash Vyas & Chitragupta. Another composer whose major work was mostly for such films, but is not remembered as much, is Pandit Shivram Krishna also known as Pandit Shivram, or simply Shivram.
tbcrPt. Shivram Krishna was born at Jodhpur on March 22, 1927. He started learning music at the age of 8 under the tutelage of his father Master Tulsidas, who worked with Marwar Record Company, Jodhpur from 1934 onwards. He was later employed in the court of the Maharaja of Jodhpur, Umed Singh as a singer/musician. It was the name and fame of Khemchand Prakash that inspired him to try his luck in films. At the age of 16, he went to Lahore where he worked under Pandit Amarnath and Master Ghulam Haider for around three years, only to return to Jodhpur at the time of partition. From the year 1948 till 1950 he worked as a music director with His Masters Voice in Lucknow, and then made his way to Mumbai in 1951.
At Mumbai, Pt. Shivram was given his first break by V. Shantaram, who signed him for two of his films – Teen Batti Chaar Raasta (1953) and Surang (1953). The music of both the films was appreciated and the films became silver jubilee hits. Besides these, V. Shantaram gave him two more films in 1960 - ‘Phool Aur Kaliyan’ and ‘Kaale Gore’, the first winning the National Award for Best Children film, while the second remained unreleased. He used the voices of V. Shantaram’s daughters Charusheela and Madhura in these children films.
Guzri Thi Raat Aadhi - Surang (1953) - Lata Mangeshkar - Shivram Krishna - Shevan Rizvi
Following the success of his initial films, Pt. Shivram caught the attention of Dhirubhai Desai and Nakhshab Jarchavi, who signed him for their next films, Oonchi Haveli (1955) and Raftaar (1955) respectively. The songs of these two films were also quite successful. Then came Sati Ansuya (1956), another film by Dhirubhai Desai that started the trend and literally sealed his fate as a composer of mythological films. Barring Naya Kadam (1958), a social drama, and Rangeela Raja (1960), a stunt film, and the two children films by V. Shantaram, all the films he got after Sati Ansuya were religious/ mythological films. In all, out of the 23 films he composed for, as many as 14 were religious/ mythological films.
Songs from Oonchi Haveli - Asha Bhosle, Mohd. Rafi, Shamshad Begum, Shivram & Parshuram - Shivram Krishna - Bharat Vyas
Despite composing some good songs for these films, the success he got with his initial films could not be repeated given the limited popularity of such films and similarity in the genre of songs. Barring a few songs from Shravan Kuman (1960), Kan Kan Mein Bhagwan (1963) and Sati Naari (1965), most of the songs are all but forgotten.
Pandit Shivram died in February 1980 leaving behind a family of musicians. His daughter Jayshree Shivram is a singer. Two of his sons, Jugal Kishore and Tilak Raj jointly composed for a few Hindi films, debuting with Bheegi Palkein (1983). His third son, Naveen Shivram had started his musical career with giving music for the serial Apnapan in 1999 and went to compose for a few small time Hindi films and some Rajasthani film and non-film albums as well. Another son, Mukesh, was also a composer and is no more.
6 سال پیش
در تاریخ 1397/11/08 منتشر شده
است.
230,351
بـار بازدید شده