A TEMPO Q&A #1: Did Carl Czerny use double-beat counting?

Bernhard Ruchti
Bernhard Ruchti
2.5 هزار بار بازدید - 21 ساعت پیش - The A Tempo Project: Q&A
The A Tempo Project: Q&A A series of informal videos about interpretation and tempo. #1: Did Carl Czerny use double-beat counting? DISCUSSED SOURCES: Carl Czerny: Piano Forte School Op. 500 (1839) Volume 3, Chapter 7, Paragraph 2: When, for Example, such an indication occurs as M.M. Crotchet=112, we must slide the nut attached to the perpendicular rod, till it exactly corresponds to the number 112 on the graduated triangular scale; then leaving the rod free to move, we must play every crotchet ["every crotchet" is printed in italics] exactly with the audible beats of the Metronome. If the indication were quaver=112, each quaver would have the same duration; or if it should be minim=112, each minim must be of the same length. Scans of the German, French, and English First Editions of Czerny's Piano Forte School Op. 500 can be found on imslp.org/. Search for: Pianoforte-Schule, Op.500 (Czerny, Carl) *** Encyclopädie der gesammten musikalischen Wissenschaften, oder Universal-Lexicon der Tonkunst (Dr. Gustav Schilling), Volume 6 (Stuttgart 1840). German Original: S c h l a g, zunächst jede Rückung (Hebung, Senkung, Seitenbewegung oder wirklicher Aufschlag) des Dirigirenden mit der Hand oder dem Tactir-Stabe zur Bezeichnung des Takts. Von hier leitet sich eine zweite Bedeutung ab, in der das Wort Schlag gleichbedeutend ist mit Takttheil, weil nämlich in der Regel jeder Takttheil mit einem Schlag oder Ruck des Dirigenten bezeichnet wird. ABM [Adolf Bernhard Marx] English Translation: B e a t, first of all every abrupt change of position (elevation, lowering, lateral movement, or actual upbeat) of the conductor with the hand or the baton in order to indicate the time. Hereof a second meaning is deduced that identifies the term “beat” as “part of the time” because ordinarily every part of the time is marked by a beat or a yank (“Ruck”) of the conductor. ABM [Adolf Bernhard Marx] *** Wim Winters' latest video on the topic of Czerny:    • Czerny's famous Metronome Description...   * * * * * * The entire A TEMPO PROJECT:    • First Things First: MUSIC! The A Temp...   Historical Metronome markings and tempo - a short introduction:    • Historical Metronome Markings and Tem...   www.bernhardruchti.com/a-tempo/ VOL VIII: SCHUBERT A TEMPO: Piano Sonata in C minor D958.    • Franz Schubert: Piano Sonata in C min...   VOL VII: BEETHOVEN A TEMPO III: Three Piano Sonatas.    • Beethoven: Three Piano Sonatas   VOL VI: BEETHOVEN A TEMPO II: Hammerklavier-Sonata Opus 106.    • Ludwig van Beethoven: Hammerklavier S...   VOL V: LISZT A TEMPO II:    • Franz Liszt: Années de Pèlerinage (It...   VOL. IV: CHOPIN A TEMPO:    • Chopin - Etudes Opus 10   VOL. III: SCHUMANN A TEMPO:    • Bernhard Ruchti - Schumann A Tempo   VOL. II: LISZT A TEMPO I:    • Franz Liszt - The A Tempo Project   VOL. I: BEETHOVEN A TEMPO I:    • Beethoven A Tempo   www.bernhardruchti.com/
21 ساعت پیش در تاریخ 1403/07/16 منتشر شده است.
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