Masterclass de Esko Laine - Contrabajo - Koussevitzky: Concierto op 3 - Andante
6.1 هزار بار بازدید -
4 سال پیش
-
Masterclass with professor Esko Laine
Masterclass with professor Esko Laine in which they work on the second movement of Sergey Koussevitzky's Double bass concerto in F sharp minor op 3tr. This masterclass took place at the Escuela Superior de Música Reina Sofía, Madrid 2004.
Student: Omry Weinberger
Accompanying pianist: Jesús Gómez Madrigal
Venue: Escuela Superior de Música Reina Sofía, Pozuelo de Alarcón (Madrid) 03/03/2004.
S. Koussevitzky: Concerto for double bass and orchestra in F sharp minor op 3 (double bass and piano reduction) - II. Andante
Abstract:
At the beginning of class, Professor Esko Laine talks about phrasing, bow direction, and fingering aspects of the beginning of movement. They change some fingerings so that it is more natural to play and the note is in tune, as it is not convenient to do a “technical” fingering. The passage being worked on can be played with a “flageolet” timbre. It is important not to delay and to be very conscious of the tuning at all times. Any fingering that we decide to do must be safe in order to control the passage. They work on the shiftings of the left hand.
***********
By donating to the School, you help support the free tuition of more than 150 young great talents from all around the world, while we bring Classical music closer to society. If you wish to give your support: https://escuelasuperiordemusicareinas...
https://www.escuelasuperiordemusicare...
Instagram: escuelarein..
Facebook: escuelareina..
Twitter: EscuelaRSofia
LinkedIn: escuelareinasofia
***********
The Reina Sofía School of Music was created in 1991 as a social project to help both young people and musical culture. Since then, the School has worked to support highly talented young people in their personal and artistic development, and to bring the best music to all audiences. The School offers a comprehensive musical education with the best international faculty and an intense and demanding artistic life, along with an open-audition admission policy, based exclusively on talent.
Student: Omry Weinberger
Accompanying pianist: Jesús Gómez Madrigal
Venue: Escuela Superior de Música Reina Sofía, Pozuelo de Alarcón (Madrid) 03/03/2004.
S. Koussevitzky: Concerto for double bass and orchestra in F sharp minor op 3 (double bass and piano reduction) - II. Andante
Abstract:
At the beginning of class, Professor Esko Laine talks about phrasing, bow direction, and fingering aspects of the beginning of movement. They change some fingerings so that it is more natural to play and the note is in tune, as it is not convenient to do a “technical” fingering. The passage being worked on can be played with a “flageolet” timbre. It is important not to delay and to be very conscious of the tuning at all times. Any fingering that we decide to do must be safe in order to control the passage. They work on the shiftings of the left hand.
***********
By donating to the School, you help support the free tuition of more than 150 young great talents from all around the world, while we bring Classical music closer to society. If you wish to give your support: https://escuelasuperiordemusicareinas...
https://www.escuelasuperiordemusicare...
Instagram: escuelarein..
Facebook: escuelareina..
Twitter: EscuelaRSofia
LinkedIn: escuelareinasofia
***********
The Reina Sofía School of Music was created in 1991 as a social project to help both young people and musical culture. Since then, the School has worked to support highly talented young people in their personal and artistic development, and to bring the best music to all audiences. The School offers a comprehensive musical education with the best international faculty and an intense and demanding artistic life, along with an open-audition admission policy, based exclusively on talent.
4 سال پیش
در تاریخ 1399/12/05 منتشر شده
است.
6,139
بـار بازدید شده