Editing Secrets of Praveen KL - The Editing Table with Ajay Vegesna - Bommalaata | S1:E2
24.8 هزار بار بازدید -
6 سال پیش
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Bommalaata Season 1: Episodes1 -
Bommalaata Season 1: Episodes
1 - The Writing Table: Tharun Bhascker Part 1 - Writing Secrets of Tharun Bhascker |...
2 - The Editing Table: Praveen KL - Editing Secrets of Praveen KL - The E...
3 - Behind Lyrics: Chaitanya Prasad - Lyricist Chaitanya Prasad Interview -...
4 - The Writing Table: Vivek Athreya - Writing Secrets of Director Vivek Ath...
5 - The Writing Table: Tharun Bhascker Part 2 - Writing Secrets of Tharun Bhascker - ...
6 - Behind Lyrics: Anantha Sriram - Lyricist Anantha Sriram Interview - B...
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and many more Loading Sooooon
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Bommalaata Season 1: Episode 2
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About the Guest: Editor Praveen KL
Kuchipudi Latha Praveen popularly known as Praveen KL hails from Andhra Pradesh but mostly works in Tamil Film Industry and occasionally in Telugu Cinema. He worked under Tamil Director Balu Mahendra for his TV Series. He edited 90 films by November 2018. He started his career in 2007. His 2011 Tamil film Aaranya Kaandam fetched him National Award for best Editing.
His most successful Telugu films are
- Oopiri with Nagarjuna, Karthi and Tamannah,
- RX 100 with Karthikeya and Payal Rajput.
Praveen next big Telugu film is Super Star Mahesh Babu's 25th film #Maharshi.
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About the show: The Editing Table with Ajay Vegesna
The intent of the show is to unfold the mind of a movie editor and discuss the insights of editing and understand its intricacies in a conversational tone.
Topics being explored:
When to Cut and When not to Cut?
How to extract the emotion from immense footage?
Understanding The Kuleshov Effect
How to effectively use the reaction shots?
An editor's relationship with the director
The art of cutting a movie teaser
How can a movie trailer make or break the footfalls of a movie?
History of Movie Editing
The evolution of movie editing and how the craft has evolved over the years.
Smart secrets of the expert editors revealed
Practical wisdom and easy to apply techniques to aspiring editors
...and many more interesting finds...
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About the Kuleshov Effect:
The Kuleshov effect is a film editing (montage) effect demonstrated by Soviet film-maker Lev Kuleshov in the 1910s and 1920s. It is a mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation.
Kuleshov edited a short film in which a shot of the expressionless face of Tsarist matinee idol Ivan Mosjoukine was alternated with various other shots (a plate of soup, a girl in a coffin, a woman on a divan). The film was shown to an audience who believed that the expression on Mosjoukine's face was different each time he appeared, depending on whether he was "looking at" the plate of soup, the girl in the coffin, or the woman on the divan, showing an expression of hunger, grief or desire, respectively. The footage of Mosjoukine was actually the same shot each time. Vsevolod Pudovkin (who later claimed to have been the co-creator of the experiment) described in 1929 how the audience "raved about the acting... the heavy pensiveness of his mood over the forgotten soup, were touched and moved by the deep sorrow with which he looked on the dead child, and noted the lust with which he observed the woman. But we knew that in all three cases the face was exactly the same."
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About Walter Murch's Rule of Six:
Walter Murch is a multiple Oscars winner who edited Apocalypse Now, Godfather 1, 2 and 3.
His insights about the craft are pure nuggets of gold. He created something called "The Rule of Six" for editing.
He enlists priorities to build a story within an edit. He highlights 6 elements in the order of priority.
In his words
"“What I’m suggesting is a list of priorities. If you have to give up something, don’t ever give up emotion before story. Don’t give up story before rhythm, don’t give up rhythm before eye-trace, don’t give up eye-trace before planarity, and don’t give up planarity before spatial continuity.”
“The ideal cut is one that satisfies all the following six criteria at once.”
These priorities can be used as a formative plan for your edit or a guideline to follow that ensures your edit keeps your audience invested in the film.
-------------------------------------------------------
Social Connect:
Facebook:
https://fb.com/Bommalaata
Twitter:
Twitter: BommalaataMedia
YouTube:
bommalaata
-------------------------------------------------------------------
#MaheshBabu #Maharshi #Editor #RX100 #Editing #Mahesh25 #Bommalaata #Bommalata
1 - The Writing Table: Tharun Bhascker Part 1 - Writing Secrets of Tharun Bhascker |...
2 - The Editing Table: Praveen KL - Editing Secrets of Praveen KL - The E...
3 - Behind Lyrics: Chaitanya Prasad - Lyricist Chaitanya Prasad Interview -...
4 - The Writing Table: Vivek Athreya - Writing Secrets of Director Vivek Ath...
5 - The Writing Table: Tharun Bhascker Part 2 - Writing Secrets of Tharun Bhascker - ...
6 - Behind Lyrics: Anantha Sriram - Lyricist Anantha Sriram Interview - B...
.
.
.
and many more Loading Sooooon
-------------------------------------------------------------------------
Bommalaata Season 1: Episode 2
------------------------------------------------------------------------------
About the Guest: Editor Praveen KL
Kuchipudi Latha Praveen popularly known as Praveen KL hails from Andhra Pradesh but mostly works in Tamil Film Industry and occasionally in Telugu Cinema. He worked under Tamil Director Balu Mahendra for his TV Series. He edited 90 films by November 2018. He started his career in 2007. His 2011 Tamil film Aaranya Kaandam fetched him National Award for best Editing.
His most successful Telugu films are
- Oopiri with Nagarjuna, Karthi and Tamannah,
- RX 100 with Karthikeya and Payal Rajput.
Praveen next big Telugu film is Super Star Mahesh Babu's 25th film #Maharshi.
------------------------------------------------------------------------------------
About the show: The Editing Table with Ajay Vegesna
The intent of the show is to unfold the mind of a movie editor and discuss the insights of editing and understand its intricacies in a conversational tone.
Topics being explored:
When to Cut and When not to Cut?
How to extract the emotion from immense footage?
Understanding The Kuleshov Effect
How to effectively use the reaction shots?
An editor's relationship with the director
The art of cutting a movie teaser
How can a movie trailer make or break the footfalls of a movie?
History of Movie Editing
The evolution of movie editing and how the craft has evolved over the years.
Smart secrets of the expert editors revealed
Practical wisdom and easy to apply techniques to aspiring editors
...and many more interesting finds...
--------------------------------------------------
About the Kuleshov Effect:
The Kuleshov effect is a film editing (montage) effect demonstrated by Soviet film-maker Lev Kuleshov in the 1910s and 1920s. It is a mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation.
Kuleshov edited a short film in which a shot of the expressionless face of Tsarist matinee idol Ivan Mosjoukine was alternated with various other shots (a plate of soup, a girl in a coffin, a woman on a divan). The film was shown to an audience who believed that the expression on Mosjoukine's face was different each time he appeared, depending on whether he was "looking at" the plate of soup, the girl in the coffin, or the woman on the divan, showing an expression of hunger, grief or desire, respectively. The footage of Mosjoukine was actually the same shot each time. Vsevolod Pudovkin (who later claimed to have been the co-creator of the experiment) described in 1929 how the audience "raved about the acting... the heavy pensiveness of his mood over the forgotten soup, were touched and moved by the deep sorrow with which he looked on the dead child, and noted the lust with which he observed the woman. But we knew that in all three cases the face was exactly the same."
------------------------------------------------------------------
About Walter Murch's Rule of Six:
Walter Murch is a multiple Oscars winner who edited Apocalypse Now, Godfather 1, 2 and 3.
His insights about the craft are pure nuggets of gold. He created something called "The Rule of Six" for editing.
He enlists priorities to build a story within an edit. He highlights 6 elements in the order of priority.
In his words
"“What I’m suggesting is a list of priorities. If you have to give up something, don’t ever give up emotion before story. Don’t give up story before rhythm, don’t give up rhythm before eye-trace, don’t give up eye-trace before planarity, and don’t give up planarity before spatial continuity.”
“The ideal cut is one that satisfies all the following six criteria at once.”
These priorities can be used as a formative plan for your edit or a guideline to follow that ensures your edit keeps your audience invested in the film.
-------------------------------------------------------
Social Connect:
Facebook:
https://fb.com/Bommalaata
Twitter:
Twitter: BommalaataMedia
YouTube:
bommalaata
-------------------------------------------------------------------
#MaheshBabu #Maharshi #Editor #RX100 #Editing #Mahesh25 #Bommalaata #Bommalata
6 سال پیش
در تاریخ 1397/09/04 منتشر شده
است.
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