The Dead City with Director Annilese Miskimmon ǀ English National Opera
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Korngold's The Dead City |
Korngold's The Dead City | 25 March – 8 April 2023 | London Coliseum |
Find out more: www.eno.org/deadcity
Paul is haunted by visions of his deceased wife, Marie. But when he meets the all-too-familiar Marietta, the lines between past and present blur, and reality itself is called into question. Moving on is impossible when presented with the implausible.
Based on Rodenbach’s Bruges-la-Morte, the lines of remembrance and obsession are closer than you’d think, in the dark recesses of The Dead City.
Annilese Miskimmon, ENO Artistic Director, follows her ENO directorial debut of 2022’s The Handmaid’s Tale with Eric Wolfgang Korngold’s cult classic opera, Die Tote Stadt. Rolf Romei returns to the role of Paul, alongside Allison Oakes who takes the dual roles of the deceased Marie and her doppelgänger, Marietta. Sarah Connolly plays the housekeeper, Brigitta, and Kirill Karabits makes his return to the London Coliseum conducting Korngold’s dynamic and exciting score.
Walk the fine line between life and death – book your opera tickets for Korngold’s The Dead City now.
See The Dead City at the London Coliseum from 25 March – 8 April 2023
We offer brilliant opera experiences at a range of affordable prices. Tickets start at just £10 plus £3.25 booking fee per ticket.
Learn more and book tickets: www.eno.org/deadcity
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Subscribe to ENO and never miss another video: http://goo.gl/ljEMBr
Keep up to date with the latest from ENO:
ENO on Facebook | Facebook: englishnationalopera
ENO on Twitter | Twitter: e_n_o
ENO on Instagram | Instagram: englishnationalopera
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About English National Opera:
ENO exists for everyone, creating new experiences with opera that inspires, nurtures creativity and makes a difference.
We take a fresh inspiring approach to opera to reflect the diversity of our culture and sing in English to deliver a deeper understanding by performers and audiences. We encourage creativity throughout the company and our commitment to the future of opera provides a platform to develop outstanding careers. We connect to audiences through inspiring, accessible, world-class opera and stimulating, creative participation programmes. We create partnerships with a range of visiting companies to generate essential revenue and welcome new audiences to share the experience of our theatre.
Find out more: www.eno.org/deadcity
Paul is haunted by visions of his deceased wife, Marie. But when he meets the all-too-familiar Marietta, the lines between past and present blur, and reality itself is called into question. Moving on is impossible when presented with the implausible.
Based on Rodenbach’s Bruges-la-Morte, the lines of remembrance and obsession are closer than you’d think, in the dark recesses of The Dead City.
Annilese Miskimmon, ENO Artistic Director, follows her ENO directorial debut of 2022’s The Handmaid’s Tale with Eric Wolfgang Korngold’s cult classic opera, Die Tote Stadt. Rolf Romei returns to the role of Paul, alongside Allison Oakes who takes the dual roles of the deceased Marie and her doppelgänger, Marietta. Sarah Connolly plays the housekeeper, Brigitta, and Kirill Karabits makes his return to the London Coliseum conducting Korngold’s dynamic and exciting score.
Walk the fine line between life and death – book your opera tickets for Korngold’s The Dead City now.
See The Dead City at the London Coliseum from 25 March – 8 April 2023
We offer brilliant opera experiences at a range of affordable prices. Tickets start at just £10 plus £3.25 booking fee per ticket.
Learn more and book tickets: www.eno.org/deadcity
-
Subscribe to ENO and never miss another video: http://goo.gl/ljEMBr
Keep up to date with the latest from ENO:
ENO on Facebook | Facebook: englishnationalopera
ENO on Twitter | Twitter: e_n_o
ENO on Instagram | Instagram: englishnationalopera
-
About English National Opera:
ENO exists for everyone, creating new experiences with opera that inspires, nurtures creativity and makes a difference.
We take a fresh inspiring approach to opera to reflect the diversity of our culture and sing in English to deliver a deeper understanding by performers and audiences. We encourage creativity throughout the company and our commitment to the future of opera provides a platform to develop outstanding careers. We connect to audiences through inspiring, accessible, world-class opera and stimulating, creative participation programmes. We create partnerships with a range of visiting companies to generate essential revenue and welcome new audiences to share the experience of our theatre.
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در تاریخ 1402/01/04 منتشر شده
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