LA Scoring Strings - She Was A Fair LASS - Official Music Demo - Audiobro
12 هزار بار بازدید -
13 سال پیش
-
LA Scoring Strings
LA Scoring Strings
http://www.audiobro.com
She Was A Fair LASS - written by Colin O'Malley using LA Scoring Strings - a new benchmark for expressive strings.
Note the use of divisi patches (legato ensembles A,B,C) to create a realistic and balanced expressive sound. Also because of LASS's unique Acu-Fade approach to patches (a new approach to cross-fading dynamic layers avoiding the smearing and buildup of the other dynamic layers), you'll hear all the detail in the sound and an accurate number of players...even as their dynamics are manipulated real-time via the mod-wheel. In essence, the dreaded "cross-fade player-build-up sound" is avoided.
More information can be found at http://www.audiobro.com
Audiobro - Home Of LA Scoring Strings - A New Benchmark For Expressive Strings
LA Scoring Strings (LASS) brings a whole new level of expressiveness, realism, and real-time playability to sampled strings.
At the heart of its revolutionary sound are Real Legato performance sample patches and a unique "layered ensemble" approach. These ensembles were all recorded individually in a large film scoring studio. Because they're made up of different players (avoiding the dreaded "same player" sound), they combine seamlessly to produce entirely cohesive small, medium, or large sections with the right divisi ratios.
LASS also features solo instruments performed by the section leaders. Rather than sounding like "guest soloists," these instruments sound like the first chair players they actually are, blending perfectly with the sections they come from.
The players are recorded in position on the scoring stage and mixed in the traditional orchestral seating perspective, making it simple to get a magnificent string mix out of the box. Meanwhile we took the utmost care to ensure that the instruments can be panned anywhere with virtually no phasing problems should you need to do that.
And to make it easy to get just the right sound, all LASS patches and programming are consistent from the first chair to the full mix. If a part sounds right using the first chair patch, the same sequence will sound right with the full ensemble — no MIDI reprogramming required.
The result is unprecedented control over dynamics, performance, and section size.
http://www.audiobro.com
She Was A Fair LASS - written by Colin O'Malley using LA Scoring Strings - a new benchmark for expressive strings.
Note the use of divisi patches (legato ensembles A,B,C) to create a realistic and balanced expressive sound. Also because of LASS's unique Acu-Fade approach to patches (a new approach to cross-fading dynamic layers avoiding the smearing and buildup of the other dynamic layers), you'll hear all the detail in the sound and an accurate number of players...even as their dynamics are manipulated real-time via the mod-wheel. In essence, the dreaded "cross-fade player-build-up sound" is avoided.
More information can be found at http://www.audiobro.com
Audiobro - Home Of LA Scoring Strings - A New Benchmark For Expressive Strings
LA Scoring Strings (LASS) brings a whole new level of expressiveness, realism, and real-time playability to sampled strings.
At the heart of its revolutionary sound are Real Legato performance sample patches and a unique "layered ensemble" approach. These ensembles were all recorded individually in a large film scoring studio. Because they're made up of different players (avoiding the dreaded "same player" sound), they combine seamlessly to produce entirely cohesive small, medium, or large sections with the right divisi ratios.
LASS also features solo instruments performed by the section leaders. Rather than sounding like "guest soloists," these instruments sound like the first chair players they actually are, blending perfectly with the sections they come from.
The players are recorded in position on the scoring stage and mixed in the traditional orchestral seating perspective, making it simple to get a magnificent string mix out of the box. Meanwhile we took the utmost care to ensure that the instruments can be panned anywhere with virtually no phasing problems should you need to do that.
And to make it easy to get just the right sound, all LASS patches and programming are consistent from the first chair to the full mix. If a part sounds right using the first chair patch, the same sequence will sound right with the full ensemble — no MIDI reprogramming required.
The result is unprecedented control over dynamics, performance, and section size.
13 سال پیش
در تاریخ 1390/05/12 منتشر شده
است.
12,095
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