Maxim Vengerov - Jean Sibelius - Violin Concerto in D minor, Op. 47, 2nd Movement Adagio Di Molto
164.1 هزار بار بازدید -
12 سال پیش
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Maxim Vengerov violin
Daniel Barenboim conductor
Chicago Symphony Orchestra
Jean Sibelius Violin Concerto in D minor, Op. 47
2nd Movement Adagio di Molto
This beautiful contemplative movement is opened by the clarinets in thirds followed likewise by oboes, French horns and timpani. The soloist's entry at Bar 6 low on the G string is somewhat sonorous, but an interesting augmented 4th in the 9th bar seems to lift any veil of dourness about the proceedings.
Underpinning the soloist is a syncopated orchestral accompaniment which is to continue long after the completion of the soloist's thematic statement and continues to accompany a passionate reprise for full orchestra of the movement's opening motif.
As the pulsating, throbbing orchestral rhythm continues, the Soloist re-enters with a brief paraphrase in part, in rather complex triplet figuration with counterpoint.
The movement develops with the orchestra re-iterating the thematic material with the soloist while, delighting in weaving his own magic, high above, until a beautiful, haunting Coda, where, soloist and orchestra bring the movement to a close with clear brief glimpses of the thematic motifs.
►► http://AventiMusic.net/Cash-Back
Maxim Vengerov violin
Daniel Barenboim conductor
Chicago Symphony Orchestra
Jean Sibelius Violin Concerto in D minor, Op. 47
2nd Movement Adagio di Molto
This beautiful contemplative movement is opened by the clarinets in thirds followed likewise by oboes, French horns and timpani. The soloist's entry at Bar 6 low on the G string is somewhat sonorous, but an interesting augmented 4th in the 9th bar seems to lift any veil of dourness about the proceedings.
Underpinning the soloist is a syncopated orchestral accompaniment which is to continue long after the completion of the soloist's thematic statement and continues to accompany a passionate reprise for full orchestra of the movement's opening motif.
As the pulsating, throbbing orchestral rhythm continues, the Soloist re-enters with a brief paraphrase in part, in rather complex triplet figuration with counterpoint.
The movement develops with the orchestra re-iterating the thematic material with the soloist while, delighting in weaving his own magic, high above, until a beautiful, haunting Coda, where, soloist and orchestra bring the movement to a close with clear brief glimpses of the thematic motifs.
12 سال پیش
در تاریخ 1391/06/28 منتشر شده
است.
164,117
بـار بازدید شده