Nikon Z6III vs Nikon Z8 夜間飛行機着陸撮影

(English follows)

動画は12本を連続で繋げてて、それぞれ

1. Z6III + 135mmで撮影 / ノーレタッチ
2. Z8 + 50mmで撮影 / ノーレタッチ
3. Z6III + 135mmで撮影 / +2EV (Davinci)
4. Z8 + 50mmで撮影 / +2EV (Davinci)
5. Z6III + 135mmで撮影 / +2EV (Davinci) / ノイズリダクションあり
6. Z8 + 50mmで撮影 / +2EV (Davinci) / ノイズリダクションあり

7. Z6III + 50mmで撮影 / ノーレタッチ
8. Z8 + 135mmで撮影 / ノーレタッチ
9. Z6III + 50mmで撮影 / +2.5EV (Davinci)
10. Z8 + 135mmで撮影 / +2.5EV (Davinci)
11. Z6III + 50mmで撮影 / +2.5EV (Davinci) / ノイズリダクションあり
12. Z8 + 135mmで撮影 / +2.5EV (Davinci) / ノイズリダクションあり

って状態。露光を上げた時のノイズ感を見てもらうだけの動画だけど、真っ暗で完璧にAFが機能しているのもすごい！

The video consists of twelve clips stitched together, each in the following state:

1. Shot with Z6III + 135mm / No retouching
2. Shot with Z8 + 50mm / No retouching
3. Shot with Z6III + 135mm / +2EV (Davinci)
4. Shot with Z8 + 50mm / +2EV (Davinci)
5. Shot with Z6III + 135mm / +2EV (Davinci) / With noise reduction
6. Shot with Z8 + 50mm / +2EV (Davinci) / With noise reduction
7. Shot with Z6III + 50mm / No retouching
8. Shot with Z8 + 135mm / No retouching
9. Shot with Z6III + 50mm / +2.5EV (Davinci)
10. Shot with Z8 + 135mm / +2.5EV (Davinci)
11. Shot with Z6III + 50mm / +2.5EV (Davinci) / With noise reduction
12. Shot with Z8 + 135mm / +2.5EV (Davinci) / With noise reduction

The video is intended to showcase the noise levels when the exposure is increased, but it’s also impressive that the autofocus functions perfectly even in complete darkness!

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