Luciano Berio’s Postmodern Paths
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2 سال پیش
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0:00 Introduction
0:13 I: Maturing Under Mussolini
3:52 II: Welcome to America
12:23 III: Berio, Postmodernist
24:43 IV: The Sequenzas
33:46 V: The Height of Fame
40:24 VI: The Art of Transcription
43:22 VII: Later Years
This was requested by Thijmen Krijgsman, MyPurpleTeeth, Brad Wheeler, Alan Hlozek, Parsa Mostaghim, and patron Alice Wyan, who DOUBLED the weight of this request. See all requests at http://lentovivace.com/classicalnerd....
📚 Sources:
“Two Interviews” by Luciano Berio, with Rossana Dalmonte & Bálint Varga, ed. David Osmond-Smith (Marion Boyars, 1985)
“Modern Music and After” by Paul Griffiths (Oxford, 2010)
“‘Sequenza VII’ by Luciano Berio: Background, Analysis and Performance Suggestions” by Carrie Vecchione (DMA diss., LSU, 1993): https://tinyurl.com/3vhr25cc
“Vestiges of Twelve-Tone Practice as Compositional Process in Berio’s ‘Sequenza I’ for Solo Flute” by Irna Priore from “Berio's Sequenzas: Essays on Performance, Composition and Analysis” ed. Janet Halfyard & David Osmond-Smith (Ashgate, 2007): https://tinyurl.com/4dmefrdv
“Luciano Berio’s ‘Sequenza V’ Analyzed Along the Lines of Four Analytical Dimensions Proposed by the Composer” by Niels Hansen (JMM: The Journal of Music and Meaning, vol. 9, Winter 2010): https://tinyurl.com/y72ydmpe
“Berio’s Early Use of Serial Techniques: An Analysis of ‘Chamber Music’” by Nicholas Jurkowski (MM thesis, Bowling Green, 2009): https://tinyurl.com/5n879x6m
“Luciano Berio’s ‘Sequenza III:’ The Use of Vocal Gesture and the Genre of the Mad Scene” by Patti Edwards (DMA dissertation, UNT, 2004): https://tinyurl.com/y5ww2vmv
“A Polyphonic Mode of Listening: Luciano Berio’s ‘Sequenza XI’ for Guitar” by Mark David Porcaro (MA thesis, UNC-CH, 2003): https://tinyurl.com/4a76kmzu
“Luciano Berio’s ‘Naturale:’ A Story Combining Folk Music and Art Music” by Leonardo Piermartiri (DMA dissertation, UM College Park, 2013): https://tinyurl.com/2p9fhkt8
“Reconstructive Postmodernism, Quotation, and Musical Analysis: A Methodology with Reference to the Third Movement of Luciano Berio’s ‘Sinfonia’” by John Flinn (PhD dissertation, University of Cincinnati, 2011): https://tinyurl.com/2esvbbh2
“Text, Music, and Meaning in the Third Movement of Luciano Berio's ‘Sinfonia’” by Michael Hicks (Perspectives of New Music, Vol. 20, No. 1/2, P. 199–224): https://tinyurl.com/55x7tpm4
“Transforming the Past: Luciano Berio's Appropriation of Folk Materials and Idioms in ‘Folk Songs’ (1964)” by Jamison Fritts (MM thesis, University of Louisville, 2010): https://tinyurl.com/cah2b8yb
“Keep Going: Narrative Continuity in Luciano Berio’s ‘Sinfonia’” by Matthew Heap (PhD dissertation, University of Pittsburgh, 2012): https://tinyurl.com/2p8c8fuv
Bruce Duffie interview: https://tinyurl.com/ec4z5emj
Berio biography by Daniele Vergni: https://tinyurl.com/58pb8b7m
http://www.lucianoberio.org/en/biography
TRAILS info: https://tinyurl.com/33ecs35p
NYT article: https://tinyurl.com/4rtk6e3d
----------
Music:
- Luciano Berio: Epifanie (1961), performed by Cathy Berberian and the RAI Orchestra of Rome conducted by Luciano Berio [original upload: NsgbqmXL-8s]
- Thomas Little: Dance! #2, performed by Rachel Fellows, Michael King, and Bruce Tippette
- Vladimir Ussachevsky: Sonic Contours (1952) [original upload: l0ygrFPCUfw]
- Luciano Berio: Thema—Omaggio a Joyce (1958–9) [original upload: jV_76OZSsqo]
- Luciano Berio: Sinfonia, Mvt. III: “In ruhig fliessender Bewegung” (1968), performed by the Swingle Singers and the Orchestra of the Academy of Santa Cecilia conducted by Antonio Pappano [original upload: 9YU-V2C4ryU]
- Luciano Berio: Visage (1960) [original upload: yYofPZlfVuc]
- Luciano Berio: Circles (1960), performed by Wonjung Kim, Rachel Brandwein, Piero Guimaraes, and Josh Perry [original upload: xCRBy-hi8n0]
- Luciano Berio: Sequenza XIV (2002), performed by Darrett Adkins [original upload: nyTAZ4qqXpg]
- Luciano Berio: Sequenza VII (1969), performed by Heinz Holliger [original upload: npLqXW-Qlg0]
- Luciano Berio: Sequenza III (1965), performed by Cathy Berberian [original upload: 1hxjCIANddU]
- Luciano Berio: Rendering (1989), performed by the Orchestre de Paris conducted by Christoph Eschenbach [original upload: NQB5bFTwHfI]
Pictures of the Studio di Fonologia Musicale courtesy:
- Mikhail Shcherbakov - Flickr: Museum of musical instruments in Milano Castle, 40-50s sound studio, CC BY-SA 2.0, https://tinyurl.com/27s9zn2k
- Stefano Stabile - Own work, CC BY-SA 3.0, https://tinyurl.com/ybfy695z
----------
Contact Information:
nerdofclassical [at] gmail.com
Facebook: classicalnerd
Instagram: the_classical_nerd
----------
All images and audio in this video are for educational purposes only, and are therefore protected under fair use statutes.
🎶 Support the channel: Patreon: classicalnerd
0:00 Introduction
0:13 I: Maturing Under Mussolini
3:52 II: Welcome to America
12:23 III: Berio, Postmodernist
24:43 IV: The Sequenzas
33:46 V: The Height of Fame
40:24 VI: The Art of Transcription
43:22 VII: Later Years
This was requested by Thijmen Krijgsman, MyPurpleTeeth, Brad Wheeler, Alan Hlozek, Parsa Mostaghim, and patron Alice Wyan, who DOUBLED the weight of this request. See all requests at http://lentovivace.com/classicalnerd....
📚 Sources:
“Two Interviews” by Luciano Berio, with Rossana Dalmonte & Bálint Varga, ed. David Osmond-Smith (Marion Boyars, 1985)
“Modern Music and After” by Paul Griffiths (Oxford, 2010)
“‘Sequenza VII’ by Luciano Berio: Background, Analysis and Performance Suggestions” by Carrie Vecchione (DMA diss., LSU, 1993): https://tinyurl.com/3vhr25cc
“Vestiges of Twelve-Tone Practice as Compositional Process in Berio’s ‘Sequenza I’ for Solo Flute” by Irna Priore from “Berio's Sequenzas: Essays on Performance, Composition and Analysis” ed. Janet Halfyard & David Osmond-Smith (Ashgate, 2007): https://tinyurl.com/4dmefrdv
“Luciano Berio’s ‘Sequenza V’ Analyzed Along the Lines of Four Analytical Dimensions Proposed by the Composer” by Niels Hansen (JMM: The Journal of Music and Meaning, vol. 9, Winter 2010): https://tinyurl.com/y72ydmpe
“Berio’s Early Use of Serial Techniques: An Analysis of ‘Chamber Music’” by Nicholas Jurkowski (MM thesis, Bowling Green, 2009): https://tinyurl.com/5n879x6m
“Luciano Berio’s ‘Sequenza III:’ The Use of Vocal Gesture and the Genre of the Mad Scene” by Patti Edwards (DMA dissertation, UNT, 2004): https://tinyurl.com/y5ww2vmv
“A Polyphonic Mode of Listening: Luciano Berio’s ‘Sequenza XI’ for Guitar” by Mark David Porcaro (MA thesis, UNC-CH, 2003): https://tinyurl.com/4a76kmzu
“Luciano Berio’s ‘Naturale:’ A Story Combining Folk Music and Art Music” by Leonardo Piermartiri (DMA dissertation, UM College Park, 2013): https://tinyurl.com/2p9fhkt8
“Reconstructive Postmodernism, Quotation, and Musical Analysis: A Methodology with Reference to the Third Movement of Luciano Berio’s ‘Sinfonia’” by John Flinn (PhD dissertation, University of Cincinnati, 2011): https://tinyurl.com/2esvbbh2
“Text, Music, and Meaning in the Third Movement of Luciano Berio's ‘Sinfonia’” by Michael Hicks (Perspectives of New Music, Vol. 20, No. 1/2, P. 199–224): https://tinyurl.com/55x7tpm4
“Transforming the Past: Luciano Berio's Appropriation of Folk Materials and Idioms in ‘Folk Songs’ (1964)” by Jamison Fritts (MM thesis, University of Louisville, 2010): https://tinyurl.com/cah2b8yb
“Keep Going: Narrative Continuity in Luciano Berio’s ‘Sinfonia’” by Matthew Heap (PhD dissertation, University of Pittsburgh, 2012): https://tinyurl.com/2p8c8fuv
Bruce Duffie interview: https://tinyurl.com/ec4z5emj
Berio biography by Daniele Vergni: https://tinyurl.com/58pb8b7m
http://www.lucianoberio.org/en/biography
TRAILS info: https://tinyurl.com/33ecs35p
NYT article: https://tinyurl.com/4rtk6e3d
----------
Music:
- Luciano Berio: Epifanie (1961), performed by Cathy Berberian and the RAI Orchestra of Rome conducted by Luciano Berio [original upload: NsgbqmXL-8s]
- Thomas Little: Dance! #2, performed by Rachel Fellows, Michael King, and Bruce Tippette
- Vladimir Ussachevsky: Sonic Contours (1952) [original upload: l0ygrFPCUfw]
- Luciano Berio: Thema—Omaggio a Joyce (1958–9) [original upload: jV_76OZSsqo]
- Luciano Berio: Sinfonia, Mvt. III: “In ruhig fliessender Bewegung” (1968), performed by the Swingle Singers and the Orchestra of the Academy of Santa Cecilia conducted by Antonio Pappano [original upload: 9YU-V2C4ryU]
- Luciano Berio: Visage (1960) [original upload: yYofPZlfVuc]
- Luciano Berio: Circles (1960), performed by Wonjung Kim, Rachel Brandwein, Piero Guimaraes, and Josh Perry [original upload: xCRBy-hi8n0]
- Luciano Berio: Sequenza XIV (2002), performed by Darrett Adkins [original upload: nyTAZ4qqXpg]
- Luciano Berio: Sequenza VII (1969), performed by Heinz Holliger [original upload: npLqXW-Qlg0]
- Luciano Berio: Sequenza III (1965), performed by Cathy Berberian [original upload: 1hxjCIANddU]
- Luciano Berio: Rendering (1989), performed by the Orchestre de Paris conducted by Christoph Eschenbach [original upload: NQB5bFTwHfI]
Pictures of the Studio di Fonologia Musicale courtesy:
- Mikhail Shcherbakov - Flickr: Museum of musical instruments in Milano Castle, 40-50s sound studio, CC BY-SA 2.0, https://tinyurl.com/27s9zn2k
- Stefano Stabile - Own work, CC BY-SA 3.0, https://tinyurl.com/ybfy695z
----------
Contact Information:
nerdofclassical [at] gmail.com
Facebook: classicalnerd
Instagram: the_classical_nerd
----------
All images and audio in this video are for educational purposes only, and are therefore protected under fair use statutes.
2 سال پیش
در تاریخ 1401/05/10 منتشر شده
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