Using a Tilt-Shift Lens for Focus Control - Video & Photography Tutorial
170.1 هزار بار بازدید -
11 سال پیش
-
From Jay P. Morgan,Today on
From Jay P. Morgan,
Today on The Slanted Lens, we are shooting out at the Yanks Air Museum in Chino, California. Here we will look at the process of using a Tilt-Shift lens for focus control.
Before we break into the lighting lesson, we will talk about how the Tilt-Shift lens works and how we will use it as a creative focus tool for our shoot today. I have a 45mm 2.8 Tilt-Shift lens. I like the focal length because it gives me a great focus effect, and I can use it in smaller spaces without distortion when shooting people.
For the lighting lesson, we are going to set up inside the C47 with the 82nd Airborne. The door will be open, and we will direct smoke to flow into the door from the Rosco 1700. We will not fight the sun but set the color balance to tungsten and let the sunlight go blue.
I will be shooting at 200th of a second shutter speed and f5.0. The ISO is set at 160. This will allow us to shoot strobes inside the airplane and balance them with the sunlight streaming in the door. We will be using Dynalite strobes today to light our scene. Keep those cameras rolling and keep on clickn'
http://www.kesslercrane.com/?Click=16612
http://www.tamron-usa.com
http://www.photoflex.com
http://www.dynalite.com
http://www.rosco.com/us/index.cfm
http://www.glidecam.com
http://www.vanguardworld.com
http://www.spiderholster.com
http://triplescoopmusic.com
http://theslantedlens.com/
http://www.photographytalk.com/
http://www.lensprotogo.com
Today on The Slanted Lens, we are shooting out at the Yanks Air Museum in Chino, California. Here we will look at the process of using a Tilt-Shift lens for focus control.
Before we break into the lighting lesson, we will talk about how the Tilt-Shift lens works and how we will use it as a creative focus tool for our shoot today. I have a 45mm 2.8 Tilt-Shift lens. I like the focal length because it gives me a great focus effect, and I can use it in smaller spaces without distortion when shooting people.
For the lighting lesson, we are going to set up inside the C47 with the 82nd Airborne. The door will be open, and we will direct smoke to flow into the door from the Rosco 1700. We will not fight the sun but set the color balance to tungsten and let the sunlight go blue.
I will be shooting at 200th of a second shutter speed and f5.0. The ISO is set at 160. This will allow us to shoot strobes inside the airplane and balance them with the sunlight streaming in the door. We will be using Dynalite strobes today to light our scene. Keep those cameras rolling and keep on clickn'
http://www.kesslercrane.com/?Click=16612
http://www.tamron-usa.com
http://www.photoflex.com
http://www.dynalite.com
http://www.rosco.com/us/index.cfm
http://www.glidecam.com
http://www.vanguardworld.com
http://www.spiderholster.com
http://triplescoopmusic.com
http://theslantedlens.com/
http://www.photographytalk.com/
http://www.lensprotogo.com
11 سال پیش
در تاریخ 1392/12/29 منتشر شده
است.
170,117
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