ADIEU AU LANGUAGE Trailer | New Release 2014
22.9 هزار بار بازدید -
10 سال پیش
-
Goodbye to LanguageDirected by Jean-Luc
Goodbye to Language
Directed by Jean-Luc Godard
(18A)
Winner of the Jury Prize at this year’s Cannes Film Festival, the new film by Jean-Luc Godard is a visually sumptuous and richly complex meditation on history and eternity, being and nothingness, desire and death.
Jury Prize, Festival de Cannes 2014
Official Selection, Toronto International Film Festival 2014
So astonishing it demands to be seen more than once, Godard's latest feature employs 3D to amplify his medium's ability to hold more — more beauty, mystery, thought. A very simple story — a foundering relationship between a man and a woman set in an apartment, one of many instances of Godard's late cinema returning to the set-up of Contempt — is rendered infinitely complex by a volley of images and citations, and a succession of eye-confounding 3D effects. (One boggling use of superimposition elicited rapturous applause at the Cannes Film Festival.) Doting on the nature imagery that has characterized late Godard — bucolic lakes, vernal bowers, and brazenly hued flowers (psychedelic daisies, pulsing poppies) shoved into the forefront of the image all the better to intrude upon our space — the director introduces a new star, "a dog that strays between town and country" called Roxy Miéville, who adorably proffers his tri-dimensional snout to us. The critical hit of Cannes, Adieu au langage counts as one of the most ravishing films ever made. "An adrenaline shot to the brain, Goodbye continually reaffirms that no single filmmaker has done more to test and reassert the possibilities of the moving image during the last half-century of the art form. All but those who wish Godard had never ventured past what he was doing circa 1968 should take much pleasure in the result" (Scott Foundas, Variety).
Directed by Jean-Luc Godard
(18A)
Winner of the Jury Prize at this year’s Cannes Film Festival, the new film by Jean-Luc Godard is a visually sumptuous and richly complex meditation on history and eternity, being and nothingness, desire and death.
Jury Prize, Festival de Cannes 2014
Official Selection, Toronto International Film Festival 2014
So astonishing it demands to be seen more than once, Godard's latest feature employs 3D to amplify his medium's ability to hold more — more beauty, mystery, thought. A very simple story — a foundering relationship between a man and a woman set in an apartment, one of many instances of Godard's late cinema returning to the set-up of Contempt — is rendered infinitely complex by a volley of images and citations, and a succession of eye-confounding 3D effects. (One boggling use of superimposition elicited rapturous applause at the Cannes Film Festival.) Doting on the nature imagery that has characterized late Godard — bucolic lakes, vernal bowers, and brazenly hued flowers (psychedelic daisies, pulsing poppies) shoved into the forefront of the image all the better to intrude upon our space — the director introduces a new star, "a dog that strays between town and country" called Roxy Miéville, who adorably proffers his tri-dimensional snout to us. The critical hit of Cannes, Adieu au langage counts as one of the most ravishing films ever made. "An adrenaline shot to the brain, Goodbye continually reaffirms that no single filmmaker has done more to test and reassert the possibilities of the moving image during the last half-century of the art form. All but those who wish Godard had never ventured past what he was doing circa 1968 should take much pleasure in the result" (Scott Foundas, Variety).
10 سال پیش
در تاریخ 1393/08/23 منتشر شده
است.
22,950
بـار بازدید شده