dil aane ke dhang nirale hain..Surinder Kaur_Nakshab_Anwar Khurshid..a tribute
33.8 هزار بار بازدید -
10 سال پیش
-
Song:dil aane ke dhang nirale
Song:dil aane ke dhang nirale hain..
Film :Singaar,1949,
Singer:Surinder Kaur,
Lyricist:Nakshab Jarchvi,
Music Director:Khursheed Anwar,(Roshanlal: music assistant )
Director:J K Nanda,
Cast: Jairaj, Madhubala,Suraiya,K N Singh,Durga Khote,Cuckoo,Surya Kumar,Randhir Kapoor,Madan Puri,
Producer: Haldia Nanda,
Production Co: Haldia Nanda Productions,
Lyrics :-
kaun samjhega
kise samjhaoon dil aane ki baat
ye samajhne ka fasaana hai
naa samjhane ki baat
dil aane ke dhang niraale hain
dil aane ke dhang
dil aane ke dhang niraale hain
dil aane ke dhang
dil se majboor sab dil waale hain
dil aane ke dhang
dil aane ke dhang niraale hain
dil aane ke dhang
kabhi ankhiyaan milane pe aata hai dil
kabhi ankhiyaan bachaane pe aata hai dil
kabhi ankhiyaan milane pe aata hai dil
kabhi ankhiyaan bachaane pe aata hai dil
wohi ankhiyaan jinhen hum se matlab nahin
unhin ankhiyon ke ham matwale hain
dil aane ke dhang
dil aane ke dhang niraale hain
dil aane ke dhang
unko dekha to duniya badalne lagi
nazren bahkin tabiyat machalne lagi
dil ki dhadkan ishaaron pe chalne lagi
unko dekha to duniyaa badalne lagi
nazren bahkin tabiyat machalne lagi
dil ki dhadkan ishaaron pe chalne lagi
badi himmat se kaaboo mein rakha hai dil
badi mushkil se hosh sambhale hain
dil aane ke dhang
dil aane ke dhang niraale hain
dil aane ke dhang
dil se majboor sab dil waale hain
dil aane ke dhang
dil aane ke dhang niraale hain
dil aane ke dhang...
“Khurshid Anwar – Mortal Man, Immortal Melodies”.
So great has been his contributions to the refinement of film music that he achieved the rare distinction of becoming a legend during his life time. So powerful was the impact of his creative endeavors that millions of people thought as if they new Khurshid Anwar personally, although they never had an occasion to meet the maestro. For them, his soul-stirring melodies were enough to establish a spiritual rapport with him.
To some, because of his excellent educational background and rich ancestry, Khurshid Anwar was a dry, terse and an arrogant individual. But to those (like Majid Hussain) who remained close to him, an affable, kind and understanding person lay beneath the thin veneer of his personality. Like all other creative individuals, he, too, had an uncommon tangent to his personality which distinguished him from ordinary people. This scribe met him on many occasions, especially during the evening of his life when he used to reminisce about his eventful career and talked nostalgically about a number of his contemporaries. He was especially kindly disposed towards singing actor K.L. Saigal and singing actress Suraiya, both of whom (during their days) had captured the imagination of cine-goers in the Sub-continent.
He was also full of praise for composers Anil Biswas, S D Burman and Salil Chaudhry – all of whom were from Sonar Bangla-whose compositions, as he put it, reached the deep recesses of the hearts of millions of music buff. Among Pakistani composers, he would single out Master Ghulam Haider and Master Inayat Hussain for the originality of their compositions, which he called stylistic and distinctive.
Poet Faiz Ahmad Faiz, who remained a life-long friend of Khurshid Anwar, aptly called him the musical spokesman of Pakistan.
Noor Jehan, the melody queen, who had long practical association with Khurshid Anwar, epitomized his rare qualities by calling him “The Composers’ Composer, who appear on the melodic firmament only after centuries”.
Dilating on his compositional technique, another longtime colleague of the maestro, producer-director Masud Parvez, restated the fact that Khawaja Sahib never relied on any musical instrument while composing a song. According to Khurshid Anwar “melodies simply sprang up from the depth of his heart”.
Even all these years after K.A’s death, on hearing his songs one feels his strong melodic personality pulsating through these compositions, prompting the listeners to wonder as if the maestro is still in their midst, acknowledging the ebullient praises his fans used to shower at him. There are certain aspects of man’s sojourn on planet Earth which even death cannot totally obscure from our thoughts and feelings. Musical compositions rendered in mellifluous voices of singers are an example worth quoting – By Saeed Malik
Film :Singaar,1949,
Singer:Surinder Kaur,
Lyricist:Nakshab Jarchvi,
Music Director:Khursheed Anwar,(Roshanlal: music assistant )
Director:J K Nanda,
Cast: Jairaj, Madhubala,Suraiya,K N Singh,Durga Khote,Cuckoo,Surya Kumar,Randhir Kapoor,Madan Puri,
Producer: Haldia Nanda,
Production Co: Haldia Nanda Productions,
Lyrics :-
kaun samjhega
kise samjhaoon dil aane ki baat
ye samajhne ka fasaana hai
naa samjhane ki baat
dil aane ke dhang niraale hain
dil aane ke dhang
dil aane ke dhang niraale hain
dil aane ke dhang
dil se majboor sab dil waale hain
dil aane ke dhang
dil aane ke dhang niraale hain
dil aane ke dhang
kabhi ankhiyaan milane pe aata hai dil
kabhi ankhiyaan bachaane pe aata hai dil
kabhi ankhiyaan milane pe aata hai dil
kabhi ankhiyaan bachaane pe aata hai dil
wohi ankhiyaan jinhen hum se matlab nahin
unhin ankhiyon ke ham matwale hain
dil aane ke dhang
dil aane ke dhang niraale hain
dil aane ke dhang
unko dekha to duniya badalne lagi
nazren bahkin tabiyat machalne lagi
dil ki dhadkan ishaaron pe chalne lagi
unko dekha to duniyaa badalne lagi
nazren bahkin tabiyat machalne lagi
dil ki dhadkan ishaaron pe chalne lagi
badi himmat se kaaboo mein rakha hai dil
badi mushkil se hosh sambhale hain
dil aane ke dhang
dil aane ke dhang niraale hain
dil aane ke dhang
dil se majboor sab dil waale hain
dil aane ke dhang
dil aane ke dhang niraale hain
dil aane ke dhang...
“Khurshid Anwar – Mortal Man, Immortal Melodies”.
So great has been his contributions to the refinement of film music that he achieved the rare distinction of becoming a legend during his life time. So powerful was the impact of his creative endeavors that millions of people thought as if they new Khurshid Anwar personally, although they never had an occasion to meet the maestro. For them, his soul-stirring melodies were enough to establish a spiritual rapport with him.
To some, because of his excellent educational background and rich ancestry, Khurshid Anwar was a dry, terse and an arrogant individual. But to those (like Majid Hussain) who remained close to him, an affable, kind and understanding person lay beneath the thin veneer of his personality. Like all other creative individuals, he, too, had an uncommon tangent to his personality which distinguished him from ordinary people. This scribe met him on many occasions, especially during the evening of his life when he used to reminisce about his eventful career and talked nostalgically about a number of his contemporaries. He was especially kindly disposed towards singing actor K.L. Saigal and singing actress Suraiya, both of whom (during their days) had captured the imagination of cine-goers in the Sub-continent.
He was also full of praise for composers Anil Biswas, S D Burman and Salil Chaudhry – all of whom were from Sonar Bangla-whose compositions, as he put it, reached the deep recesses of the hearts of millions of music buff. Among Pakistani composers, he would single out Master Ghulam Haider and Master Inayat Hussain for the originality of their compositions, which he called stylistic and distinctive.
Poet Faiz Ahmad Faiz, who remained a life-long friend of Khurshid Anwar, aptly called him the musical spokesman of Pakistan.
Noor Jehan, the melody queen, who had long practical association with Khurshid Anwar, epitomized his rare qualities by calling him “The Composers’ Composer, who appear on the melodic firmament only after centuries”.
Dilating on his compositional technique, another longtime colleague of the maestro, producer-director Masud Parvez, restated the fact that Khawaja Sahib never relied on any musical instrument while composing a song. According to Khurshid Anwar “melodies simply sprang up from the depth of his heart”.
Even all these years after K.A’s death, on hearing his songs one feels his strong melodic personality pulsating through these compositions, prompting the listeners to wonder as if the maestro is still in their midst, acknowledging the ebullient praises his fans used to shower at him. There are certain aspects of man’s sojourn on planet Earth which even death cannot totally obscure from our thoughts and feelings. Musical compositions rendered in mellifluous voices of singers are an example worth quoting – By Saeed Malik
10 سال پیش
در تاریخ 1393/11/09 منتشر شده
است.
33,873
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