The secrets of playing one of opera's greatest bad guys
13.3 هزار بار بازدید -
7 سال پیش
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Baritone Gerald Finley reveals what
Baritone Gerald Finley reveals what it takes to learn and sing the role of one of opera's greatest baddies, Scarpia from Puccini's Tosca. Find out more at www.roh.org.uk/tosca
From its strident opening chords, Tosca conjures up a world of political instability and menace. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias, including ‘Vissi d’arte’ and ‘E lucevan le stelle’. Giacomo Puccini’s dramatic work was a hit with audiences on its 1900 premiere and it remains one of the most performed of all operas – and with its gripping plot and glorious music, it’s easy to see why.
A candle-lit church, Scarpia’s gloomy study with its hidden torture chamber and the false optimism of a Roman dawn: Jonathan Kent’s handsome production throws into relief the ruthlessly taut drama, as the tension is wound up towards its fateful conclusion. Puccini’s meticulously researched score is infused with the same authentic detail, from distant cannon fire during the Act I Te Deum to tolling church bells and the sounds of a firing squad.
www.roh.org.uk/people/gerald-finley
7 سال پیش
در تاریخ 1396/11/19 منتشر شده
است.
13,301
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