Beethoven - Symphony No. 5 (Destiny) / Remastered (rr: Herbert von Karajan, Berliner Philharmoniker)
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Album available // Beethoven: The
Album available // Beethoven: The 9 Symphonies by Herbert von Karajan (2024 Remastered, Berlin 1962)
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Ludwig van Beethoven (1770-1827) Symphony No. 5 in C minor, Op. 67
00:00 I. Allegro con brio (2022 Remastered, Berlin 1962)
07:14 II. Andante con moto
17:16 III. Scherzo: Allegro - Trio
22:04 IV. Finale: Allegro
Berliner Philharmoniker
Conductor: Herbert von Karajan
Recorded in 1962, at Berlin
New mastering in 2022 by AB for CMRR
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Symphony No. 5 in C minor, Op. 67 // The opening bars of Beethoven's Fifth Symphony are among the most memorable in music history. Beethoven himself is said to have said of these four violent blows: "Thus destiny comes knocking at our door." However, while working on his masterpiece, the Master confided to his pupil and friend Carl Czerny that the idea for these opening notes had been inspired by the rhythmic song of the yellow bunting heard one day in the Vienna Prater (Vienna's Prater is a vast wooded park, nicknamed the Green Prater). However, even if the two versions complement each other, it's hardly surprising that audiences preferred the myth of fate knocking at the door, which fits in so well with the work's dynamic character, to Czerny's version. The sustained momentum of the first movement describes a dramatic conflict that is only resolved in the heroic finale, which has always fascinated listeners.
Beethoven's Fifth Symphony was dedicated to Prince Lobkowitz and Count Razumovsky. The "Destiny" symphony was written while Beethoven was going through the painful period when he realized he was deaf. The numerous drafts of the Fifth Symphony indicate that this composition required considerable work on the part of its author. Beethoven worked on it for over five years. Even the apparently simple opening bars underwent several transformations.
The work was completed in March 1808, and the first performance took place on December 22 of the same year, at the Theater An Der Wien. At the same concert, the Pastoral Symphony was also performed. This symphony was named "Destiny" after a remark Beethoven made to his friend Schindler about the main theme of the first movement: "This is how Destiny knocks at the door." On November 16, 1801, Beethoven wrote to his friend Franz Wegeler: "I will seize Fate by the throat. It will never break me." The symphony is generally thought to reflect Beethoven's dogged struggle against Fate, and the victory he ultimately achieved. Hoffmann said of the work: "This last symphony, the best known and one of the most appreciated of the great musician's works, was the result of a fairly long period of trial and meditation, as the sketch sheets testify. It has its equals in beauty, but nowhere could one better observe the power of this musical genius, intellectual and profoundly expressive, classical in form and romantic in content, opening up to the astonished imagination the empire of the colossal and the immense."
The rehearsals leading up to the first performance were not easy for either the composer or the musicians. On one occasion, Beethoven made so many comments to the orchestra members that they eventually refused to continue rehearsing with him; they even refused to play in his presence, and Beethoven had to stand in an adjoining room for the rest of the rehearsal, angrily walking up and down while the musicians rehearsed this "new and strange" composition alone. Such rehearsals could only result in a poor first performance, and even a year later, at a concert in Dresden, the symphony was so poorly played that it met with no success. It was only at a performance at Leipzig's Gewandhaus that it was warmly applauded, as it has been ever since.
COMPLETE PRESENTATION: LOOK THE FIRST PINNED COMMENT
Beethoven: Missa Solemnis in D Major Op. 123 (Herbert von Karajan)
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**Listen to our latest mastering update (2024)** : https://cutt.ly/Jef2GJXX
🎧 Qobuz Music (Hi-Res) https://cutt.ly/Nef2GqtP Tidal (Hi-Res) https://cutt.ly/Bef2GpKA
🎧 Deezer (Hi-Fi) https://cutt.ly/ief2Ghm5 Amazon Music (Hi-Res) https://cutt.ly/Eef2GxlZ
🎧 Spotify (mp3) https://cutt.ly/Ref2GEgW Youtube Music (mp4) https://cutt.ly/Jef2GJXX
🔊 Download the album (Hi-Res Master) https://cutt.ly/Classical-Music-Refer...
Ludwig van Beethoven (1770-1827) Symphony No. 5 in C minor, Op. 67
00:00 I. Allegro con brio (2022 Remastered, Berlin 1962)
07:14 II. Andante con moto
17:16 III. Scherzo: Allegro - Trio
22:04 IV. Finale: Allegro
Berliner Philharmoniker
Conductor: Herbert von Karajan
Recorded in 1962, at Berlin
New mastering in 2022 by AB for CMRR
🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): https://cutt.ly/5eathESK
🔊 Find our entire catalog on Qobuz: https://cutt.ly/geathMhL
🔊 Discover our playlists on Spotify: https://cutt.ly/ceatjtlB
❤️ Support us on Patreon Patreon: about
Symphony No. 5 in C minor, Op. 67 // The opening bars of Beethoven's Fifth Symphony are among the most memorable in music history. Beethoven himself is said to have said of these four violent blows: "Thus destiny comes knocking at our door." However, while working on his masterpiece, the Master confided to his pupil and friend Carl Czerny that the idea for these opening notes had been inspired by the rhythmic song of the yellow bunting heard one day in the Vienna Prater (Vienna's Prater is a vast wooded park, nicknamed the Green Prater). However, even if the two versions complement each other, it's hardly surprising that audiences preferred the myth of fate knocking at the door, which fits in so well with the work's dynamic character, to Czerny's version. The sustained momentum of the first movement describes a dramatic conflict that is only resolved in the heroic finale, which has always fascinated listeners.
Beethoven's Fifth Symphony was dedicated to Prince Lobkowitz and Count Razumovsky. The "Destiny" symphony was written while Beethoven was going through the painful period when he realized he was deaf. The numerous drafts of the Fifth Symphony indicate that this composition required considerable work on the part of its author. Beethoven worked on it for over five years. Even the apparently simple opening bars underwent several transformations.
The work was completed in March 1808, and the first performance took place on December 22 of the same year, at the Theater An Der Wien. At the same concert, the Pastoral Symphony was also performed. This symphony was named "Destiny" after a remark Beethoven made to his friend Schindler about the main theme of the first movement: "This is how Destiny knocks at the door." On November 16, 1801, Beethoven wrote to his friend Franz Wegeler: "I will seize Fate by the throat. It will never break me." The symphony is generally thought to reflect Beethoven's dogged struggle against Fate, and the victory he ultimately achieved. Hoffmann said of the work: "This last symphony, the best known and one of the most appreciated of the great musician's works, was the result of a fairly long period of trial and meditation, as the sketch sheets testify. It has its equals in beauty, but nowhere could one better observe the power of this musical genius, intellectual and profoundly expressive, classical in form and romantic in content, opening up to the astonished imagination the empire of the colossal and the immense."
The rehearsals leading up to the first performance were not easy for either the composer or the musicians. On one occasion, Beethoven made so many comments to the orchestra members that they eventually refused to continue rehearsing with him; they even refused to play in his presence, and Beethoven had to stand in an adjoining room for the rest of the rehearsal, angrily walking up and down while the musicians rehearsed this "new and strange" composition alone. Such rehearsals could only result in a poor first performance, and even a year later, at a concert in Dresden, the symphony was so poorly played that it met with no success. It was only at a performance at Leipzig's Gewandhaus that it was warmly applauded, as it has been ever since.
COMPLETE PRESENTATION: LOOK THE FIRST PINNED COMMENT
Beethoven: Missa Solemnis in D Major Op. 123 (Herbert von Karajan)
🎧 Qobuz (Hi-Res) https://bit.ly/3GvePTF Tidal (Hi-Res) https://bit.ly/3gqfOd3
🎧 Deezer (Hi-Fi) https://bit.ly/3AYaWp4 Amazon Music (Hi-Fi) https://amzn.to/3B1K8Eh
🎧 Spotify (mp3) https://spoti.fi/3QTq8gH Amazon Store (mp3) https://amzn.to/3LctyGE
🎧 Youtube Music (mp4) https://bit.ly/3QWjarr
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