ye kaun aaj aaya savere savere.. Nartaki 1939_Leela Desai & Pankaj Mallick_Munshi Aarzoo..a tribute
250 هزار بار بازدید -
11 سال پیش
-
Song :ye kaun aaj aaya
Song :ye kaun aaj aaya savere savere ...
Singer: Pankaj Mullick,
Lyrics: Aarzoo Lucknowi ,[ Munshi Aarzoo ]
Music Director: Pankaj Mullick,
Cast:Leela Desai, Pankaj Malik,Banu,Chhabi Biswas, Utpal, Indu Mukherjee, Jyoti, Najam, Jagdish Sethi,
Director:Debki Bose,
Production Co: New Theatres Limited ,
Lyrics :-
ye kaun aaj aayaa sawere-sawere
ye kaun aaj aayaa sawere-sawere
ke dil chaunk utthaa sawere-sawere
kahaa roop ne chaand hai chaudhvin kaa
kahaa roop ne chaand hai chaudhvin kaa
magar chaand kaisaa sawere-sawere
gayaa man kaa dheeraj
badhi bekali bhi
gayaa man kaa dheeraj
badhi bekali bhi
ye mujhko huaa kyaa
ye mujhko huaa kyaa sawere-sawere
aate hi ek tarahdaar ne dil chheen liyaa
dilrubaa ban ke dilaadaar ne dil chheen liyaa
baanki chitwan ke chhipe pyaar ne dil chheen liyaa
de ke dhokhaa kisi aiyaar ne dil chheen liyaa
aankhon mein jaadoo baaton mein tonaa
aankhon mein jaadoo baaton mein tonaa
diyaa kaisaa charkaa sawere-sawere(×2...
Nartaki (Dancer) is a 1940 filmdirected by Debaki Bose for New Theatres Ltd, Calcutta.
A bilingual made in Hindi and in Bengali, it had story and screenplay written by Bose, with cinematography by Yusuf Mulji. Music was composed by Pankaj Mullick. The cast had actress Leela Desai playing the title role of Nartaki. Najam also called Najam-Ul-Hasain or Najmul Hussain had left Bombay Talkies following his affair and elopement with Devika Rani, had now joined New Theatres Ltd, where he was cast in films like Anath Ashram (1937), Dushman (1939),
Kapal Kundala (1939), and Nartaki. The rest of the main cast included Jagdish Sethi, Wasti and Pankaj Mullick in the Hindi version...
The story was a sixteenth century period costume drama about a courtesan who with the help of the king tries to avenge her insult against the priest of a temple monastery.
Review and reception.
The film was released on 24 December 1940 at Minerva Cinema, Bombay. In the Bombay Calling column of Filmindia, January 1940, mention was made of a Gujarati journal being mishandled during the shooting of the film at the studios. Baburao Patel, editor of Filmindia commented on taking bodyguard of girls with him to protect him from Debaki Bose, who had newly arrived in Bombay from Calcutta.
The review of Nartaki by Baburao Patel titled, "Debaki Bose Runs Amok", described the story as "too poor in development and almost beggarly in intellectual conception". The cast was criticised for their disappointing performances except for Wasti, who played the master monk. Yusuf Mulji's camera-work was commended as was the music score by Pankaj Mullick.
Storyline:-
The film went on to become a commercial success and was recommended as one of the top films of 1940. It is cited as the first "major cinematic-essay" on a dancer's life..
Roopkumari (Leela Desai) a famous court dancer is forbidden entry into a temple monastery run by a strict disciplinarian Priest, Gyananandji (Wasti), who demands celibacy from his monks. To avenge her insult she gets the help of the king but fails in her mission to enter the temple. She then tries to seduce the priest’s son, Satyasundar, who is set to take the main priest’s place as the chief priest. Roopkumari and Satyasundar fall in love and the priest turns his son out of the monastery. Roopkumari takes him to her house and nurses the now ill Satyasundar back to health. In the process she too undergoes a spiritual transformation, looking for a divine love. Satyasundar finally leaves Roopkumari and returns to the monastery.
The birth of a Film Song..By Nalin Shah.
In early 1931 when Ardeshir Irani recorded the first film song through a warmed-up carbon microphone, he probably did not realise that he was creating history. The sound had, at last, broken the silence in 'Hundred percent talking picture' (as advertised) in 'Alam Ara'. It also ended the careers of many goodlooking Anglo-Indian damsels who had to make way for the professional singing girls. Sulochana (Ruby Meyers) who was the highest paid actress, earning Rs 5,000 a month, and D Bilimoria, the actor of the masses, had to be replaced by Master Vithal and Zubeida in the first talkie only because the latter could sing and talk fluent Hindi.
Since that day, nearly 60,000 songs have been composed. This fact bears testimony to the importance of music in the success of films at the box office. Do we have a cultural personality in music?
Music composed by Pankaj Mullick who also appeared as Kaviraj in the film, it had lyrics by Arzu Lucknawi. One of the classic notable song was "Yeh Kaun Aaj Aaya Savere Savere" sung by Mullick
Songs(8)
Songs & Singers
1 .Madabhari Rut Jawaan Hai -Pankaj Mullick
2 .Prem Ka Naata Chhuta- Pankaj Mullick
3 .Aankh Mund Kar Dhyaan Murakh-
Leela Desai, Radha Rani
4 .Yeh Kaun Aaj Aaya Savere Savere
Pankaj Mullick
5 .Rat Shiv Naam Ki Mala
6 .Teri Daya Se Aaj Muraad Mil Gayi
Pankaj Mullick
7 Kaun Tujhe Samjhave Murakh
Pankaj Mullick
8 .Kaun Tujhe Samjhave Murakh
Leela Desai
Singer: Pankaj Mullick,
Lyrics: Aarzoo Lucknowi ,[ Munshi Aarzoo ]
Music Director: Pankaj Mullick,
Cast:Leela Desai, Pankaj Malik,Banu,Chhabi Biswas, Utpal, Indu Mukherjee, Jyoti, Najam, Jagdish Sethi,
Director:Debki Bose,
Production Co: New Theatres Limited ,
Lyrics :-
ye kaun aaj aayaa sawere-sawere
ye kaun aaj aayaa sawere-sawere
ke dil chaunk utthaa sawere-sawere
kahaa roop ne chaand hai chaudhvin kaa
kahaa roop ne chaand hai chaudhvin kaa
magar chaand kaisaa sawere-sawere
gayaa man kaa dheeraj
badhi bekali bhi
gayaa man kaa dheeraj
badhi bekali bhi
ye mujhko huaa kyaa
ye mujhko huaa kyaa sawere-sawere
aate hi ek tarahdaar ne dil chheen liyaa
dilrubaa ban ke dilaadaar ne dil chheen liyaa
baanki chitwan ke chhipe pyaar ne dil chheen liyaa
de ke dhokhaa kisi aiyaar ne dil chheen liyaa
aankhon mein jaadoo baaton mein tonaa
aankhon mein jaadoo baaton mein tonaa
diyaa kaisaa charkaa sawere-sawere(×2...
Nartaki (Dancer) is a 1940 filmdirected by Debaki Bose for New Theatres Ltd, Calcutta.
A bilingual made in Hindi and in Bengali, it had story and screenplay written by Bose, with cinematography by Yusuf Mulji. Music was composed by Pankaj Mullick. The cast had actress Leela Desai playing the title role of Nartaki. Najam also called Najam-Ul-Hasain or Najmul Hussain had left Bombay Talkies following his affair and elopement with Devika Rani, had now joined New Theatres Ltd, where he was cast in films like Anath Ashram (1937), Dushman (1939),
Kapal Kundala (1939), and Nartaki. The rest of the main cast included Jagdish Sethi, Wasti and Pankaj Mullick in the Hindi version...
The story was a sixteenth century period costume drama about a courtesan who with the help of the king tries to avenge her insult against the priest of a temple monastery.
Review and reception.
The film was released on 24 December 1940 at Minerva Cinema, Bombay. In the Bombay Calling column of Filmindia, January 1940, mention was made of a Gujarati journal being mishandled during the shooting of the film at the studios. Baburao Patel, editor of Filmindia commented on taking bodyguard of girls with him to protect him from Debaki Bose, who had newly arrived in Bombay from Calcutta.
The review of Nartaki by Baburao Patel titled, "Debaki Bose Runs Amok", described the story as "too poor in development and almost beggarly in intellectual conception". The cast was criticised for their disappointing performances except for Wasti, who played the master monk. Yusuf Mulji's camera-work was commended as was the music score by Pankaj Mullick.
Storyline:-
The film went on to become a commercial success and was recommended as one of the top films of 1940. It is cited as the first "major cinematic-essay" on a dancer's life..
Roopkumari (Leela Desai) a famous court dancer is forbidden entry into a temple monastery run by a strict disciplinarian Priest, Gyananandji (Wasti), who demands celibacy from his monks. To avenge her insult she gets the help of the king but fails in her mission to enter the temple. She then tries to seduce the priest’s son, Satyasundar, who is set to take the main priest’s place as the chief priest. Roopkumari and Satyasundar fall in love and the priest turns his son out of the monastery. Roopkumari takes him to her house and nurses the now ill Satyasundar back to health. In the process she too undergoes a spiritual transformation, looking for a divine love. Satyasundar finally leaves Roopkumari and returns to the monastery.
The birth of a Film Song..By Nalin Shah.
In early 1931 when Ardeshir Irani recorded the first film song through a warmed-up carbon microphone, he probably did not realise that he was creating history. The sound had, at last, broken the silence in 'Hundred percent talking picture' (as advertised) in 'Alam Ara'. It also ended the careers of many goodlooking Anglo-Indian damsels who had to make way for the professional singing girls. Sulochana (Ruby Meyers) who was the highest paid actress, earning Rs 5,000 a month, and D Bilimoria, the actor of the masses, had to be replaced by Master Vithal and Zubeida in the first talkie only because the latter could sing and talk fluent Hindi.
Since that day, nearly 60,000 songs have been composed. This fact bears testimony to the importance of music in the success of films at the box office. Do we have a cultural personality in music?
Music composed by Pankaj Mullick who also appeared as Kaviraj in the film, it had lyrics by Arzu Lucknawi. One of the classic notable song was "Yeh Kaun Aaj Aaya Savere Savere" sung by Mullick
Songs(8)
Songs & Singers
1 .Madabhari Rut Jawaan Hai -Pankaj Mullick
2 .Prem Ka Naata Chhuta- Pankaj Mullick
3 .Aankh Mund Kar Dhyaan Murakh-
Leela Desai, Radha Rani
4 .Yeh Kaun Aaj Aaya Savere Savere
Pankaj Mullick
5 .Rat Shiv Naam Ki Mala
6 .Teri Daya Se Aaj Muraad Mil Gayi
Pankaj Mullick
7 Kaun Tujhe Samjhave Murakh
Pankaj Mullick
8 .Kaun Tujhe Samjhave Murakh
Leela Desai
11 سال پیش
در تاریخ 1392/03/06 منتشر شده
است.
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