Zahida Parveen - Kya Haal Sunawan Dil Da
72.9 هزار بار بازدید -
2 سال پیش
-
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Original Pakistani Songs
Music of Pakistan
Vocalist - Zahida Parveen
Title - Kya Haal Sunawa Dil Da (Kafi)
Lyrics - Khawaja Ghulam Farid
About Zahida Parveen
The great Kafi singer Zahida Parveen was born in Amritsar, Punjab, British India in 1925. Critics say that she was a ‘Peerni’ (saintly figure) by caste and not a ‘tawaif’ (red light area) singer. Her parents died at an early stage. She was raised by one of the two elder sisters, namely Peeran Ditti (gift of Saints). Zahida Parveen was of short height and she was a dark-complexioned lady. Because of these physical traits, she was often referred to as the black nightingale; the latter title because of her expert singing. Initially she became a pupil of sarangi player Baba Taj from Kapurthalla on the recommendation of her elder sister. Then she came under the umbrella of Hussain Bakhsh Khan sarangi, player from Amritsar. Her vocal cords had a God-gifted quality to render with ease the most difficult ‘Taans” (faster embellishments) and ‘Meends’ (touching notes with a camber); an art she developed after long hours of ‘Riaz’ (practice). This is the reason that whenever difficult ‘Taans’ were needed to be rendered which were out of reach of an ordinary playback singer, Zahida was called to do that task in film songs.
Music composer BA Chishti recorded a qawwali released on two sides of a gramophone record for the film ‘Mundri’ along with Munawar Sultana, Iqbal Begum Lahore Wali and Iqbal Bano. She was also picked by Baba Ji for singing in the films ‘Pattan’, ‘Dulla Bhatti’, ‘Morni’ and ‘Yakke Waali’. In all these songs, she rendered the difficult portions. Prior to these recordings, she had already become a disciple of Ustad Ashiq Hussain of Patiala Gharana in 1948 in Lahore. She had started singing at Radio Pakistan. Her gramophone record for His Master's Voice (HMV) with the Kafi “Kya Haal Sunawan Dil Da” on one side and “Maindi Ajj Kal Akh Phurkaandi Aei” on the other became a hit. By now, she was considered as an expert in singing kafis of Khawaja Ghulam Fareed. This was a beginning to no end. Subsequently, she recorded many more Kafis in Punjabi, Saraiki and Sindhi for HMV, radio and stage.
Zahida’s minimal repertoire in films was because she was over busy singing for radio and gramophone companies. Also, she was least bothered to contact music composers of film industry. The other movies with her songs were ‘Anokhi Dastaan’, ‘Billo’, ‘Shehri Babu’, ‘Barkha’, ‘Baap Ka Baap’ and ‘Dil Ke Tukre’.
Zahida was also very particular about getting her daughter trained similarly. She made her a disciple of Ustad Akhtar Hussain Khan. In an interview, Shahida Parween agreed with the observation that where her music culminated, her mother’s started. Zahida died in 1975. Shahida also passed away on March 13, 2003 at 50 years of age. I have had the privilege of singing many songs and classical recitals together with Shahida for radio and PTV.
http://vevo.ly/fYXfYR
Original Pakistani Songs
Music of Pakistan
Vocalist - Zahida Parveen
Title - Kya Haal Sunawa Dil Da (Kafi)
Lyrics - Khawaja Ghulam Farid
About Zahida Parveen
The great Kafi singer Zahida Parveen was born in Amritsar, Punjab, British India in 1925. Critics say that she was a ‘Peerni’ (saintly figure) by caste and not a ‘tawaif’ (red light area) singer. Her parents died at an early stage. She was raised by one of the two elder sisters, namely Peeran Ditti (gift of Saints). Zahida Parveen was of short height and she was a dark-complexioned lady. Because of these physical traits, she was often referred to as the black nightingale; the latter title because of her expert singing. Initially she became a pupil of sarangi player Baba Taj from Kapurthalla on the recommendation of her elder sister. Then she came under the umbrella of Hussain Bakhsh Khan sarangi, player from Amritsar. Her vocal cords had a God-gifted quality to render with ease the most difficult ‘Taans” (faster embellishments) and ‘Meends’ (touching notes with a camber); an art she developed after long hours of ‘Riaz’ (practice). This is the reason that whenever difficult ‘Taans’ were needed to be rendered which were out of reach of an ordinary playback singer, Zahida was called to do that task in film songs.
Music composer BA Chishti recorded a qawwali released on two sides of a gramophone record for the film ‘Mundri’ along with Munawar Sultana, Iqbal Begum Lahore Wali and Iqbal Bano. She was also picked by Baba Ji for singing in the films ‘Pattan’, ‘Dulla Bhatti’, ‘Morni’ and ‘Yakke Waali’. In all these songs, she rendered the difficult portions. Prior to these recordings, she had already become a disciple of Ustad Ashiq Hussain of Patiala Gharana in 1948 in Lahore. She had started singing at Radio Pakistan. Her gramophone record for His Master's Voice (HMV) with the Kafi “Kya Haal Sunawan Dil Da” on one side and “Maindi Ajj Kal Akh Phurkaandi Aei” on the other became a hit. By now, she was considered as an expert in singing kafis of Khawaja Ghulam Fareed. This was a beginning to no end. Subsequently, she recorded many more Kafis in Punjabi, Saraiki and Sindhi for HMV, radio and stage.
Zahida’s minimal repertoire in films was because she was over busy singing for radio and gramophone companies. Also, she was least bothered to contact music composers of film industry. The other movies with her songs were ‘Anokhi Dastaan’, ‘Billo’, ‘Shehri Babu’, ‘Barkha’, ‘Baap Ka Baap’ and ‘Dil Ke Tukre’.
Zahida was also very particular about getting her daughter trained similarly. She made her a disciple of Ustad Akhtar Hussain Khan. In an interview, Shahida Parween agreed with the observation that where her music culminated, her mother’s started. Zahida died in 1975. Shahida also passed away on March 13, 2003 at 50 years of age. I have had the privilege of singing many songs and classical recitals together with Shahida for radio and PTV.
http://vevo.ly/fYXfYR
2 سال پیش
در تاریخ 1401/11/17 منتشر شده
است.
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