Mondrian’s Geometries
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In the third lecture of
In the third lecture of this four-part series, John Walsh considers Mondrian’s continued experiments in the 1920s and 1930s, some of which rendered his formats and compositions more complex, while others reduced them to near emptiness in search of greater suggestive power. Generously sponsored by the Martin A. Ryerson Lectureship Fund and the John Walsh Lecture and Education Fund.
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در تاریخ 1402/01/29 منتشر شده
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