Aruna Sairam | Kalinga Nartana Tillana | Carnatic Vocal
442.1 هزار بار بازدید -
3 سال پیش
-
#carnatic
#carnatic #carnaticvocal #arunasairam
The esteemed Carnatic vocalist, Aruna Sairam adds powerful dimensions to it, making it the show-stopper of the evening. Giving apposite accompaniment to this experiential performance are Satish Patri on the mridangam, Jyotsna Srikanth on the violin and RN Prakash on the ghatam.
Set to Raag Gambheera Nattai in Adi talam, Kalinga Narthana is an attention-grabber of a composition by Oothukadu Venkata Subbaiyar’s (1700-1765).
Enjoy this music piece? You can WATCH THE FULL VIDEO HERE –https://bit.ly/3Aufh47
You can start your free no-obligation trial of the Darbar Player and watch the full performance today. Click here and sign up for a no obligation 3 trial and watch the full length version of this video now at - https://bit.ly/3Aufh47 - You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Check out your app stores and search for the Darbar App today.
You might be asking, why is Darbar giving me a free trial? We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those of things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine.
In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation.
Click https://bit.ly/3Aufh47 to start your free no-obligation 3 day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊 ______________________________________________________________
More about the music:
This thillana emerged in the 19th century and gained popularity with the renditions of the famous Harikatha exponent, Late Brahmashri Needamangalam Krishnamurthi Bhagavathar. Though essentially suitable for classical dance performances and Harikatha (a traditional Hindu discourse that explores stories from epics through music), this piece has become a popular presentation in Carnatic vocal music because of its charming and vibrant gait.
Kalinga Narthana is a narrative about Lord Krishna’s mythical battle with Kaliya, the fearsome five-headed snake who boiled and poisoned the waters of the Yamuna River. ‘Kalinga Narthana,’ literally translates to ‘dance of the Kaliya serpent’ and is recorded in the Indian epic Mahabharata, which is also the world’s longest epic believed to have taken place 5000 years ago.
Sairam’s poetic interpretation of the thillana is extraordinary. Defying conventions, she adds her inimitable charm and drama to this piece by delivering an upbeat, groovy recitation of the thillana in her sensuous, sonorous voice. As she doles out the syllables of the thillana with authority, Kumar and Prakash play in excellent synchrony, blending their instruments with the mnemonics of the composition.
Gambheera Nattai is a pentatonic raga of the Carnatic system that has been derived from Chala Nattai, the 36th Melakarta.
It is a symmetric raga that does not contain rishabha and dhaivata. Its arohana and avarohana are as follows:
S G₃ M₁ P N₃ Ṡ[a]
Ṡ N₃ P M₁ G₃ S[b]
The notes used in this scale are shadja, antara gandhara, shuddha madhyama, panchama and kakali nishada. Gambheera Nattai is also known as Shuddha Nattai.
Musicians
Aruna Sairam (vocals)
Jyotsna Srikanth (violin)
Patri Satish Kumar (mridangam)
RN Prakash (ghatam)
Priya Parkash (tanpura)
________________________________________________________________
All Rights Reserved ©2021 Darbar Arts Culture Heritage Trust
The esteemed Carnatic vocalist, Aruna Sairam adds powerful dimensions to it, making it the show-stopper of the evening. Giving apposite accompaniment to this experiential performance are Satish Patri on the mridangam, Jyotsna Srikanth on the violin and RN Prakash on the ghatam.
Set to Raag Gambheera Nattai in Adi talam, Kalinga Narthana is an attention-grabber of a composition by Oothukadu Venkata Subbaiyar’s (1700-1765).
Enjoy this music piece? You can WATCH THE FULL VIDEO HERE –https://bit.ly/3Aufh47
You can start your free no-obligation trial of the Darbar Player and watch the full performance today. Click here and sign up for a no obligation 3 trial and watch the full length version of this video now at - https://bit.ly/3Aufh47 - You can also get the Darbar App which will let you download content and watch later, this is great for when you are offline or travelling. Please join us and support Indian classical music and artists. Check out your app stores and search for the Darbar App today.
You might be asking, why is Darbar giving me a free trial? We are passionate about Indian classical music and have the largest online archive of videos - we want everyone to experience the bliss of Indian classical music. This is one of those of things that can’t be put into words, this is something that must be experienced. Even if you decide to leave after this trial, that is perfectly fine.
In closing, the best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation.
Click https://bit.ly/3Aufh47 to start your free no-obligation 3 day trial immediately. You are only one click away - transport yourself into the largest online archive of Indian classical music 😊 ______________________________________________________________
More about the music:
This thillana emerged in the 19th century and gained popularity with the renditions of the famous Harikatha exponent, Late Brahmashri Needamangalam Krishnamurthi Bhagavathar. Though essentially suitable for classical dance performances and Harikatha (a traditional Hindu discourse that explores stories from epics through music), this piece has become a popular presentation in Carnatic vocal music because of its charming and vibrant gait.
Kalinga Narthana is a narrative about Lord Krishna’s mythical battle with Kaliya, the fearsome five-headed snake who boiled and poisoned the waters of the Yamuna River. ‘Kalinga Narthana,’ literally translates to ‘dance of the Kaliya serpent’ and is recorded in the Indian epic Mahabharata, which is also the world’s longest epic believed to have taken place 5000 years ago.
Sairam’s poetic interpretation of the thillana is extraordinary. Defying conventions, she adds her inimitable charm and drama to this piece by delivering an upbeat, groovy recitation of the thillana in her sensuous, sonorous voice. As she doles out the syllables of the thillana with authority, Kumar and Prakash play in excellent synchrony, blending their instruments with the mnemonics of the composition.
Gambheera Nattai is a pentatonic raga of the Carnatic system that has been derived from Chala Nattai, the 36th Melakarta.
It is a symmetric raga that does not contain rishabha and dhaivata. Its arohana and avarohana are as follows:
S G₃ M₁ P N₃ Ṡ[a]
Ṡ N₃ P M₁ G₃ S[b]
The notes used in this scale are shadja, antara gandhara, shuddha madhyama, panchama and kakali nishada. Gambheera Nattai is also known as Shuddha Nattai.
Musicians
Aruna Sairam (vocals)
Jyotsna Srikanth (violin)
Patri Satish Kumar (mridangam)
RN Prakash (ghatam)
Priya Parkash (tanpura)
________________________________________________________________
All Rights Reserved ©2021 Darbar Arts Culture Heritage Trust
3 سال پیش
در تاریخ 1400/05/31 منتشر شده
است.
442,144
بـار بازدید شده