The Making of TERE BINA JIYA JAAYE NA

PanchaMtantra

We all know the way Panchamda used the MAADAL in different notes in his classic number "TERE BINA JIYA JAYE NA".

I always wonder why the maadal had a very high octave ring to it. Panchamda's legendary Maadal player Ranjit Gazmer (Kanchabhai) had explained to me the contribution of a musician whose name we do not take much often - RIZRAM.

Do watch this video to know how much Team Pancham thought about the SOUND to be used in a song.

The three notes that were used to play along with the harmony chart of the song were C, D and E.

Do see till the end as to how only these three notes of the Maadal cover the whole spectrum of the song's harmony chart, which had a major transpose between the mukhda and the Antara. (The song is in two scales)

Respects to Panchamda.
Respects to Kanchabhai.
Respects to Bhanuda.
Respects to Rizramji.
Respects to Marutikaka.

Respects to TEAM PANCHAM.

(Any copyrighted material in this video - Audio or Visual - belongs to the original holders and this video is not meant for any personal profits by the uploader. The sole aim is to share the genius of R D Burman as understood by us)