Perfect Big Bands: 1930s & 40s Big Band Orchestras with Benny Goodman, Glenn Miller
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9 سال پیش
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Vintage Big Bands Playlist: 1930s & 40s Big Band Orchestras. Toe-tapping music to 'cut a rug' on the dance floor - https://bit.ly/3vBUBmV
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The Past Perfect Channel expertly remasters #vintagemusic from the 1920s, 1930s, 1940s and 1950s. French Music, Retro Music, Saxophone Music, Italian Music, JazzMusic, Swing Band Music, Morning Music, Piano and Guitar Music, Music while Cooking, Christmas Music, Background Music, Holiday Music, #BigBands, #DanceBands, Love Songs, Tea Dances, Vintage Parties, Murder Mystery Events, Ballroom Dancing, War Re-enactment Events, Nostalgic Songs. Master Rights Copyright: Past Perfect Limited
Buy CD on Amazon US: https://amzn.to/2WDCuu1
Buy CD on Amazon UK: https://amzn.to/2WDg3VN
Buy CD & Download Full Album from Past Perfect: https://bit.ly/2wUbCvf
Perfect Big Bands Track List:
1. 00:00:00 Woody Herman Four Brothers
2. 00:03:19 Tommy Dorsey East Of The Sun (And West Of The Moon)
3. 00:06:41 Benny Goodman Let's Dance
4. 00:09:17 Jimmy Dorsey Yours (Quiereme Mucho)
5. 00:12:32 Earl Hines Ridin' And Jivin'
6. 00:15:12 Glenn Miller Anvil Chorus
7. 00:20:10 Count Basie Do You Wanna Jump, Children?
8. 00:22:54 Benny Carter Plymouth Rock
9. 00:25:47 Duke Ellington Harlem Air Shaft
10. 00:28:49 Jack Teagarden A Hundred Years From Today
11. 00:31:49 Chick Webb Go Harlem
12. 00:34:13 Stan Kenton The Spider And The Fly
13. 00:36:39 Artie Shaw Begin The Beguine
14. 00:39:57 Woody Herman Apple Honey
15. 00:43:11 Glenn Miller I've Got A Heart Filled With Love (For You Dear)
16. 00:46:12 Count Basie Doggin' Around
17. 00:49:13 Benny Goodman Why Don't You Do Right?
18. 00:52:28 Les Brown Bizet Has His Day
19. 00:55:46 Tommy Dorsey On the Sunny Side of the Street
20. 00:59:02 Harry James Trumpet Blues and Cantabile
21. 01:02:02 Tony Pastor Gonna Get A Girl
22. 01:05:15 Stan Kenton Intermission Riff
23. 01:08:34 Artie Shaw I Got The Sun In The Morning
24. 01:11:37 Benny Goodman When Buddha Smiles
25. 01:14:52 Ella Fitzgerald When My Sugar Walks Down The Street
The music presented in this wide ranging compilation comes from a more innocent age than ours – a time in the middle years of the Twentieth Century when social dancing was a world-wide phenomenon and people craved the excitement afforded by the live presence of a big band. Everyone wanted toe-tapping music so that they could ‘cut a rug’ on the dance floor and a host of fine touring orchestras fed this apparently insatiable demand, fueling a fashion which took several decades to decline and fall.
Whether it was for the high-school ‘prom’ (so much loved by Hollywood film-makers) or just for that end-of-the-week night out, dancers in America, and for that matter, in England, too, knew exactly what was needed. They looked for danceable tempos, alluring sounds, personable sidemen, smart presentation and pleasing vocal interjections from a girl singer (described by Down Beat as a ‘chirp’ in the vernacular of the day). Those in the know would also be looking for jazz value, watching out for star instrumentalists and responding to swinging numbers by the best composers and arrangers. Magazines like ‘Down Beat’ and Metronome kept their readers posted on the movements of top musicians, flagging up the working rosters and tours undertaken by the big bands, and previewing their many appearances in films and on record.
Of course, for the greater part of the Twentieth Century, America was a divided society with black Americans enjoying (or rather, enduring) separate, and nearly always unequal, public facilities. Inevitably, this division covered most aspects of entertainment, with blacks-only clubs and dance halls in what was then called the ‘coloured section’ of town hosting the touring black orchestras. With few hotels available to them, musicians often stayed with friendly local families or slept in the band bus before setting off for the next night’s work. In some cases, dances were given for both races, with a rope dividing one side of the dance floor from the other, but with no intermixing of the two groups allowed.
Yet despite these restrictions, or even because of them, black bands thrived, producing outstanding soloists and setting the pace musically for their white counterparts.
Best Vintage Travel Songs For Any Journey https://bit.ly/35y6iz0
Vintage Big Bands Playlist: 1930s & 40s Big Band Orchestras. Toe-tapping music to 'cut a rug' on the dance floor - https://bit.ly/3vBUBmV
Dreamy Vintage Love Songs Playlist: Dreamy, Smooth & Relaxing Vintage Lov...
La vie Parisienne Playlist - Featuring the greatest French stars of the 1930s & 40s: https://bit.ly/3cNydOJ
Vintage Cafe Music to Listen to at Home: https://bit.ly/2KvOnCk
Background Vintage Music While Working From Home - 1930s, 40s, 50s http://bit.ly/2PfvEuu
The Past Perfect Channel expertly remasters #vintagemusic from the 1920s, 1930s, 1940s and 1950s. French Music, Retro Music, Saxophone Music, Italian Music, JazzMusic, Swing Band Music, Morning Music, Piano and Guitar Music, Music while Cooking, Christmas Music, Background Music, Holiday Music, #BigBands, #DanceBands, Love Songs, Tea Dances, Vintage Parties, Murder Mystery Events, Ballroom Dancing, War Re-enactment Events, Nostalgic Songs. Master Rights Copyright: Past Perfect Limited
Buy CD on Amazon US: https://amzn.to/2WDCuu1
Buy CD on Amazon UK: https://amzn.to/2WDg3VN
Buy CD & Download Full Album from Past Perfect: https://bit.ly/2wUbCvf
Perfect Big Bands Track List:
1. 00:00:00 Woody Herman Four Brothers
2. 00:03:19 Tommy Dorsey East Of The Sun (And West Of The Moon)
3. 00:06:41 Benny Goodman Let's Dance
4. 00:09:17 Jimmy Dorsey Yours (Quiereme Mucho)
5. 00:12:32 Earl Hines Ridin' And Jivin'
6. 00:15:12 Glenn Miller Anvil Chorus
7. 00:20:10 Count Basie Do You Wanna Jump, Children?
8. 00:22:54 Benny Carter Plymouth Rock
9. 00:25:47 Duke Ellington Harlem Air Shaft
10. 00:28:49 Jack Teagarden A Hundred Years From Today
11. 00:31:49 Chick Webb Go Harlem
12. 00:34:13 Stan Kenton The Spider And The Fly
13. 00:36:39 Artie Shaw Begin The Beguine
14. 00:39:57 Woody Herman Apple Honey
15. 00:43:11 Glenn Miller I've Got A Heart Filled With Love (For You Dear)
16. 00:46:12 Count Basie Doggin' Around
17. 00:49:13 Benny Goodman Why Don't You Do Right?
18. 00:52:28 Les Brown Bizet Has His Day
19. 00:55:46 Tommy Dorsey On the Sunny Side of the Street
20. 00:59:02 Harry James Trumpet Blues and Cantabile
21. 01:02:02 Tony Pastor Gonna Get A Girl
22. 01:05:15 Stan Kenton Intermission Riff
23. 01:08:34 Artie Shaw I Got The Sun In The Morning
24. 01:11:37 Benny Goodman When Buddha Smiles
25. 01:14:52 Ella Fitzgerald When My Sugar Walks Down The Street
The music presented in this wide ranging compilation comes from a more innocent age than ours – a time in the middle years of the Twentieth Century when social dancing was a world-wide phenomenon and people craved the excitement afforded by the live presence of a big band. Everyone wanted toe-tapping music so that they could ‘cut a rug’ on the dance floor and a host of fine touring orchestras fed this apparently insatiable demand, fueling a fashion which took several decades to decline and fall.
Whether it was for the high-school ‘prom’ (so much loved by Hollywood film-makers) or just for that end-of-the-week night out, dancers in America, and for that matter, in England, too, knew exactly what was needed. They looked for danceable tempos, alluring sounds, personable sidemen, smart presentation and pleasing vocal interjections from a girl singer (described by Down Beat as a ‘chirp’ in the vernacular of the day). Those in the know would also be looking for jazz value, watching out for star instrumentalists and responding to swinging numbers by the best composers and arrangers. Magazines like ‘Down Beat’ and Metronome kept their readers posted on the movements of top musicians, flagging up the working rosters and tours undertaken by the big bands, and previewing their many appearances in films and on record.
Of course, for the greater part of the Twentieth Century, America was a divided society with black Americans enjoying (or rather, enduring) separate, and nearly always unequal, public facilities. Inevitably, this division covered most aspects of entertainment, with blacks-only clubs and dance halls in what was then called the ‘coloured section’ of town hosting the touring black orchestras. With few hotels available to them, musicians often stayed with friendly local families or slept in the band bus before setting off for the next night’s work. In some cases, dances were given for both races, with a rope dividing one side of the dance floor from the other, but with no intermixing of the two groups allowed.
Yet despite these restrictions, or even because of them, black bands thrived, producing outstanding soloists and setting the pace musically for their white counterparts.
9 سال پیش
در تاریخ 1394/08/19 منتشر شده
است.
128,174
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