Ask Dr. B About Music Theory, Episode 1 (Species Counterpoint)
13.9 هزار بار بازدید -
7 سال پیش
-
TOPICS0:00
TOPICS
0:00 - Subscriber questions and 1st Species: Note Against Note
2:10 - Fux, "Gradus Ad Parnnasum"
https://www.amazon.com/Study-Counterp...
http://imslp.org/wiki/Gradus_ad_Parna...)
THE RULES
3:44 - only consonances employed (perfect vs. imperfect)
4:26 - use more imperfect than perfect consonances
4:45 - must begin with perfect consonance (cantus firmus in the lower part = unison, P5, octave)
5:00 - no unison except possibly at beginning and end
5:23 - interval in the penultimate measure (with cantus firmus in the lower part) = major sixth
6:25 - melodic movement
a. no augmented, diminished, or chromatic intervals
b. no outlining of tritone even when reached by step
c. no leaps larger than a 5th (except octave and ascending m6)
d. may not repeat tone more than once and only occasionally
e. skips of more a 4th or more musical step back
f. no skip into unison or octave
12:30 - voice crossing allowed for voice leading purposes
12:48 - Motion (direct, contrary, oblique)
WRITING SPECIES COUNTERPOINT
14:22 - writing the counterpoint
24:52 - EXAMPLE: cantus firmus and counterpoint played on piano
Please subscribe, like, and share!
To ask a question, leave a comment. I can't answer them all, but I do read them all.
Visit www.christopherbrellochs.com to subcribe to my e-newsletter, listen to music and more!
0:00 - Subscriber questions and 1st Species: Note Against Note
2:10 - Fux, "Gradus Ad Parnnasum"
https://www.amazon.com/Study-Counterp...
http://imslp.org/wiki/Gradus_ad_Parna...)
THE RULES
3:44 - only consonances employed (perfect vs. imperfect)
4:26 - use more imperfect than perfect consonances
4:45 - must begin with perfect consonance (cantus firmus in the lower part = unison, P5, octave)
5:00 - no unison except possibly at beginning and end
5:23 - interval in the penultimate measure (with cantus firmus in the lower part) = major sixth
6:25 - melodic movement
a. no augmented, diminished, or chromatic intervals
b. no outlining of tritone even when reached by step
c. no leaps larger than a 5th (except octave and ascending m6)
d. may not repeat tone more than once and only occasionally
e. skips of more a 4th or more musical step back
f. no skip into unison or octave
12:30 - voice crossing allowed for voice leading purposes
12:48 - Motion (direct, contrary, oblique)
WRITING SPECIES COUNTERPOINT
14:22 - writing the counterpoint
24:52 - EXAMPLE: cantus firmus and counterpoint played on piano
Please subscribe, like, and share!
To ask a question, leave a comment. I can't answer them all, but I do read them all.
Visit www.christopherbrellochs.com to subcribe to my e-newsletter, listen to music and more!
7 سال پیش
در تاریخ 1396/05/11 منتشر شده
است.
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