Why This Superhit Actress Did Not Pair up With Any Muslim Star? Drama Series Indian
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Why This Superhit Actress Did Not Pair up With Any Muslim Star? Drama Series Indian
#BinaRai #BinaRaiBiography #DramaSeriesIndian
Even though Madhubala is considered the most beautiful Hindi film heroine ever, actress Shyama revealed in an interview that she and most of her colleagues, in fact, considered Bina Rai to be the most beautiful heroine in Hindi filmdom in their time, ahead of the Venus of the Indian screen.
Bina Rai was born Krishna Sarin on July 13, 1932, in Lahore and came from a typical Punjabi family that frowned on women working in films. While still in college, Bina filled up a form for a talent contest. Despite much opposition from her family, she still traveled to Bombay and what’s more, won the contest and the first prize of Rs 25,000 – a huge sum in those days! The prize also included a lead role in Kishore Sahu’s Kali Ghata (1951) opposite Sahu himself. Although she was active in college dramatics, her parents put their foot down as far as a career in films was concerned. It is said Bina went on a hunger strike to get them to agree. The ploy worked.
With Kali Ghata, Bina made an impact with her very first film and was touted as a star in the making. The film did well at the box office aided by some fine music by Shankar-Jaikishan with songs like Dil Mein Tu Mere Dil Mein Tu, Unke Situm ne Loot Liya, and O Kali Ghata Ghir Aayi Hai.
However, Bina’s big breakthrough came with Anarkali (1953). Anarkali looks at the mythical and legendary love of Prince Salim (Pradeep Kumar), the son of Akbar with the court dancer Anarkali (Bina Rai), a commoner. When his father, Emperor Akbar (Mubarak), finds out, he is furious and does his best to thwart the romance saying a commoner could never be the empress of India. Salim, nevertheless, is adamant and rebelliously leads an army against his father. He is defeated in battle and brought before Akbar who sentences both, him and Anarkali to death. Even though her dancing skills were questionable, it was to Bina’s credit that she responded with a great performance and made the role her own, no mean feat considering Madhubala played the same role to brilliant effect later in K Asif’s magnum opus Mughal-e-Azam (1960).
1953 also saw the release of Aurat where Bina acted opposite Premnath, the Indian version of Samson and Delilah. Though the film flopped, Bina and Premnath fell in love during its making and got married. They did a string of films together, Shagufa (1953), Prisoner Of Golconda (1954) – an early color film, Samundar (1957), and Chengiz Khan (1957) but never really clicked as an on-screen pair. In fact, on-screen Bina’s best reel pairing was with Anarkali co-star, Pradeep Kumar.
Other important films that Bina did include the BR Chopra-directed Shole (1953) opposite Ashok Kumar, Gyan Mukherjee’s Sardar (1955) opposite Dadamoni again, Madh Bhare Nain (1955) with Kishore Kumar, SS Vasan’s Insaniyat (1955) – the only film to co-star Dev Anand and Dilip Kumar together, the thriller Marine Drive (1955) and Satyen Bose’s Bandi (1957). Good as Bina was in these films, somehow she never quite captured the aura and magic of Anarkali.
Taking a break during which her second son, Monty, was born, Bina returned to the silver screen making a huge impact in Ghunghat. In a tale of mistaken identities and misunderstandings, Bina held the film together winning the Filmfare Award for Best Actress, but one has to add here that the decision looks a little unfair especially as she was up against Madhubala’s brilliant act in Mughal-e-Azam.
Thereafter, the closest Bina came to matching Anarkali was in another historical drama, Taj Mahal, playing Mumtaz Mahal to Pradeep Kumar’s Jehangir. The film, directed by M Sadiq, was a huge success at the box office and Bina gave a fine performance as the Empress for whom the Taj Mahal was built.
Bina Rai passed away in Mumbai on December 6, 2009, following a cardiac arrest.
Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.
Fair use is a use permitted by copyright statutes that might otherwise be infringing.
Non-profit, educational, or personal use tips the balance in favor of fair use.
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Shweta Jaya Travel Vlog - shwetajayapandey
Why This Superhit Actress Did Not Pair up With Any Muslim Star? Drama Series Indian
#BinaRai #BinaRaiBiography #DramaSeriesIndian
Even though Madhubala is considered the most beautiful Hindi film heroine ever, actress Shyama revealed in an interview that she and most of her colleagues, in fact, considered Bina Rai to be the most beautiful heroine in Hindi filmdom in their time, ahead of the Venus of the Indian screen.
Bina Rai was born Krishna Sarin on July 13, 1932, in Lahore and came from a typical Punjabi family that frowned on women working in films. While still in college, Bina filled up a form for a talent contest. Despite much opposition from her family, she still traveled to Bombay and what’s more, won the contest and the first prize of Rs 25,000 – a huge sum in those days! The prize also included a lead role in Kishore Sahu’s Kali Ghata (1951) opposite Sahu himself. Although she was active in college dramatics, her parents put their foot down as far as a career in films was concerned. It is said Bina went on a hunger strike to get them to agree. The ploy worked.
With Kali Ghata, Bina made an impact with her very first film and was touted as a star in the making. The film did well at the box office aided by some fine music by Shankar-Jaikishan with songs like Dil Mein Tu Mere Dil Mein Tu, Unke Situm ne Loot Liya, and O Kali Ghata Ghir Aayi Hai.
However, Bina’s big breakthrough came with Anarkali (1953). Anarkali looks at the mythical and legendary love of Prince Salim (Pradeep Kumar), the son of Akbar with the court dancer Anarkali (Bina Rai), a commoner. When his father, Emperor Akbar (Mubarak), finds out, he is furious and does his best to thwart the romance saying a commoner could never be the empress of India. Salim, nevertheless, is adamant and rebelliously leads an army against his father. He is defeated in battle and brought before Akbar who sentences both, him and Anarkali to death. Even though her dancing skills were questionable, it was to Bina’s credit that she responded with a great performance and made the role her own, no mean feat considering Madhubala played the same role to brilliant effect later in K Asif’s magnum opus Mughal-e-Azam (1960).
1953 also saw the release of Aurat where Bina acted opposite Premnath, the Indian version of Samson and Delilah. Though the film flopped, Bina and Premnath fell in love during its making and got married. They did a string of films together, Shagufa (1953), Prisoner Of Golconda (1954) – an early color film, Samundar (1957), and Chengiz Khan (1957) but never really clicked as an on-screen pair. In fact, on-screen Bina’s best reel pairing was with Anarkali co-star, Pradeep Kumar.
Other important films that Bina did include the BR Chopra-directed Shole (1953) opposite Ashok Kumar, Gyan Mukherjee’s Sardar (1955) opposite Dadamoni again, Madh Bhare Nain (1955) with Kishore Kumar, SS Vasan’s Insaniyat (1955) – the only film to co-star Dev Anand and Dilip Kumar together, the thriller Marine Drive (1955) and Satyen Bose’s Bandi (1957). Good as Bina was in these films, somehow she never quite captured the aura and magic of Anarkali.
Taking a break during which her second son, Monty, was born, Bina returned to the silver screen making a huge impact in Ghunghat. In a tale of mistaken identities and misunderstandings, Bina held the film together winning the Filmfare Award for Best Actress, but one has to add here that the decision looks a little unfair especially as she was up against Madhubala’s brilliant act in Mughal-e-Azam.
Thereafter, the closest Bina came to matching Anarkali was in another historical drama, Taj Mahal, playing Mumtaz Mahal to Pradeep Kumar’s Jehangir. The film, directed by M Sadiq, was a huge success at the box office and Bina gave a fine performance as the Empress for whom the Taj Mahal was built.
Bina Rai passed away in Mumbai on December 6, 2009, following a cardiac arrest.
Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.
Fair use is a use permitted by copyright statutes that might otherwise be infringing.
Non-profit, educational, or personal use tips the balance in favor of fair use.
bina rai, bina rai family, bina rai songs, bina rai movies, bina rai biography, bina rai interview, bina rai ke gane, bina rai movie list, bina rai ki biography, bina rai ki film, prem nath, bina rai husband, bina rai hit songs, bina rai hot, ye zindagi usi ki hai jo kisi ka, anarkali songs, tajmahal songs, panv chhu lene do,
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