法國 x 東京超人氣奧運宣傳動畫 北齋浮世繪風重燃奧運熱血 / Sumo - Tokyo 2021 Olympic Games
872 بار بازدید -
3 سال پیش
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#法國公共電視台 播出的
#法國公共電視台 播出的 #東京奧運 #宣傳影片，巧妙採用相撲與 #葛飾北齋 #浮世繪 的風格來詮釋奧運，獲得無國界高評價，甚至被拿來與日本製作的宣傳影片。
法國公共電視台 France.TV，為宣傳東京奧運轉播，製作了一支宣傳影片，以 #日本相撲 作為主角，在葛飾北齋的浮世繪風格中舉辦「個人奧運」。
出自法國插畫家「#StéphaneLevallois」之手，以日本國寶的相撲及日本浮世繪大師葛飾北齋的經典作品《#神奈川沖浪裏》，打造出日式古風味十足的世界。而在這樣的場景中，主角相撲顛覆了以往笨重的形象，身手矯健且靈巧地演繹了各種奧運項目，包括這次東京奧運新增的項目 #衝浪、#滑板 等，以及景點項目 #短跑、#籃球、#跳高 等，而最終在東京奧運會場「降落」，可說是氣勢滂礡。
法國作為2024年國際奧運的接棒國，對於東京奧運亦頗是關注。而這部動畫也被拿來與日本官方以吉祥物為主角製作的宣傳動畫做比較，網上也有不少評價，認為法國自外國人的視角，製作出的影片更能體現出日本味，以及東京奧運的特色。無疑能重燃人們心中，因延期及疫情影響，而冷卻的奧運魂。
France Television “Sumo” by Geoffroy Barbet-Massin and Mikros MPC
Merging modern sports action with traditional Japanese art, director Geoffroy Barbet-Massin and the Mikros MPC crew in Paris unleash a finely drafted promo for France Television’s coverage of the 2021 #TokyoOlympics.
Geoffroy Barbet-Massin: “Throughout the project, we tried to respect the codes of 18th-century Japanese prints, both from a narrative and an aesthetic standpoint. The environments and the characters are full of details, drawn with thick and bold lines, strong shapes, audacious concept designs.
“We were always looking for the right balance between the scenery and the sumotori and adapted the character’s line drawing according to its size in the frame, and in constant relation with the treatment of the backgrounds.
“That was particularly challenging as we worked in flat perspectives, without any vanishing point, which limited the camera movements to left, right, or up and down but also created constraints to bring a character from background to front.
“We also applied a specific finish on the image so we could render the style of aged paper. All our choices, whether creative or technical, we're driven by our care to develop a project that would mix a highly stylized aesthetic and storytelling.”
Mikros MPC VFX Supervisor Vincent Venchiarutti: “The previz work was crucial to allow the greatest optimization at all levels. Our lead animator, Antoine Antin, worked closely with Geoffroy Barbet-Massin to adapt the initial character design of the sumotori, made by Stephane Levallois.
“We had to find a ‘dry’ style of animation to respect the static approach of the Japanese prints. The result is a stepped animation on 3’s and 4’s that contributed to the hand-drawn aesthetic and allowed us to focus on the richness of FX and details in the characters and environment for each image.”
#StephaneLevallois
法國公共電視台 France.TV，為宣傳東京奧運轉播，製作了一支宣傳影片，以 #日本相撲 作為主角，在葛飾北齋的浮世繪風格中舉辦「個人奧運」。
出自法國插畫家「#StéphaneLevallois」之手，以日本國寶的相撲及日本浮世繪大師葛飾北齋的經典作品《#神奈川沖浪裏》，打造出日式古風味十足的世界。而在這樣的場景中，主角相撲顛覆了以往笨重的形象，身手矯健且靈巧地演繹了各種奧運項目，包括這次東京奧運新增的項目 #衝浪、#滑板 等，以及景點項目 #短跑、#籃球、#跳高 等，而最終在東京奧運會場「降落」，可說是氣勢滂礡。
法國作為2024年國際奧運的接棒國，對於東京奧運亦頗是關注。而這部動畫也被拿來與日本官方以吉祥物為主角製作的宣傳動畫做比較，網上也有不少評價，認為法國自外國人的視角，製作出的影片更能體現出日本味，以及東京奧運的特色。無疑能重燃人們心中，因延期及疫情影響，而冷卻的奧運魂。
France Television “Sumo” by Geoffroy Barbet-Massin and Mikros MPC
Merging modern sports action with traditional Japanese art, director Geoffroy Barbet-Massin and the Mikros MPC crew in Paris unleash a finely drafted promo for France Television’s coverage of the 2021 #TokyoOlympics.
Geoffroy Barbet-Massin: “Throughout the project, we tried to respect the codes of 18th-century Japanese prints, both from a narrative and an aesthetic standpoint. The environments and the characters are full of details, drawn with thick and bold lines, strong shapes, audacious concept designs.
“We were always looking for the right balance between the scenery and the sumotori and adapted the character’s line drawing according to its size in the frame, and in constant relation with the treatment of the backgrounds.
“That was particularly challenging as we worked in flat perspectives, without any vanishing point, which limited the camera movements to left, right, or up and down but also created constraints to bring a character from background to front.
“We also applied a specific finish on the image so we could render the style of aged paper. All our choices, whether creative or technical, we're driven by our care to develop a project that would mix a highly stylized aesthetic and storytelling.”
Mikros MPC VFX Supervisor Vincent Venchiarutti: “The previz work was crucial to allow the greatest optimization at all levels. Our lead animator, Antoine Antin, worked closely with Geoffroy Barbet-Massin to adapt the initial character design of the sumotori, made by Stephane Levallois.
“We had to find a ‘dry’ style of animation to respect the static approach of the Japanese prints. The result is a stepped animation on 3’s and 4’s that contributed to the hand-drawn aesthetic and allowed us to focus on the richness of FX and details in the characters and environment for each image.”
#StephaneLevallois
3 سال پیش
در تاریخ 1400/05/02 منتشر شده
است.
872
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