How to play the Bolero de Ravel on Alto Saxophone with music sheet
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6 سال پیش
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Boléro is a one-movement orchestral piece by the French composer Maurice Ravel (1875–1937). Originally composed as a balletcommissioned by Russian actress and dancer Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.[1]
Before Boléro, Ravel had composed large-scale ballets (such as Daphnis et Chloé, composed for the Ballets Russes 1909–1912), suites for the ballet (such as the second orchestral version of Ma mère l'oye, 1912), and one-movement dance pieces (such as La valse, 1906–1920). Apart from such compositions intended for a staged dance performance, Ravel had demonstrated an interest in composing re-styled dances, from his earliest successes—the 1895 Menuet and the 1899 Pavane—to his more mature works like Le tombeau de Couperin, which takes the format of a dance suite.
Boléro epitomises Ravel's preoccupation with restyling and reinventing dance movements. It was also one of the last pieces he composed before illness forced him into retirement. The two piano concertos and the song cycle Don Quichotte à Dulcinée were the only completed compositions that followed Boléro.
The instrumentation calls for a sopranino saxophone in F, which never existed (modern sopraninos are in E♭). At the first performance, both the sopranino and soprano saxophone parts were played on the B♭ soprano saxophone, a tradition which continues to this day.
Boléro is "Ravel's most straightforward composition in any medium".[5] The music is in C major, 3/4 time, beginning pianissimo and rising in a continuous crescendo to fortissimo possibile (as loud as possible). It is built over an unchanging ostinato rhythm played on one or more snare drums that remains constant throughout the piece:
0:00
On top of this rhythm two melodies are heard, each of 18 bars' duration, and each played twice alternately. The first melody is diatonic, the second melody introduces more jazz-influenced elements, with syncopation and flattened notes (technically it is in the Phrygian mode). The first melody descends through one octave, the second melody descends through two octaves. The bass line and accompaniment are initially played on pizzicato strings, mainly using rudimentary tonic and dominant notes. Tension is provided by the contrast between the steady percussive rhythm, and the "expressive vocal melody trying to break free".[16] Interest is maintained by constant reorchestration of the theme, leading to a variety of timbres, and by a steady crescendo. Both themes are repeated a total of eight times. At the climax, the first theme is repeated a ninth time, then the second theme takes over and breaks briefly into a new tune in E major before finally returning to the tonic key of C major.
chitoliro
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pūtohe
sacsafón
sacsoffon
saks
saksafon
saksafoni
saksofon
saksofonas
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saksofons
saksofoon
saksopon
sassofono
Saxofoi
saxofon
saxofón
saxófón
saxòfon
saxofone
saxofoon
Saxophon
saxophone
کے
szakszofon
σαξόφωνο
Сакс
саксафон
саксофон
սաքսոֆոն
საქსაფონი
サクソフォン
סאַקסאָפאָן
סקסופון
ساكسفون
ساکسیفون
किल्ल्या असलेले एक वायुवाद्य
सैक्सोफोन
স্যাক্সোফোন
સેક્સોફોન
சாக்ஸபோன்
శాక్సోఫోన్
ಸ್ಯಾಕ್ಸೋಫೋನ್
แซ็กโซโฟน
ស្រឡៃ
색소폰
萨克管
薩克管
best saxophone covers of popular songs
top sax cover
SPECIAL OFFER march 2020 : 2 week personalized sax coaching via Skype :
https://forms.aweber.com/form/07/1183...
The backing track in this video comes from Sergey Brazhnik´s channel. Please visit his channel & subscribe !
If your want to subscribe to my channel and be aware of new content : @mexsax
Setup : Selmer Serie II alto sax, Bari 6 mouthpiece, Rico Royal 2.5 reed, Rode NT1A mic, Audient ID4 preamp
Follow me on :
Facebook: MexiSax
mexsax
Instagram: mex_sax
Twitter: nicogo1000
https://plus.google.com/u/0/109911802...
Boléro is a one-movement orchestral piece by the French composer Maurice Ravel (1875–1937). Originally composed as a balletcommissioned by Russian actress and dancer Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.[1]
Before Boléro, Ravel had composed large-scale ballets (such as Daphnis et Chloé, composed for the Ballets Russes 1909–1912), suites for the ballet (such as the second orchestral version of Ma mère l'oye, 1912), and one-movement dance pieces (such as La valse, 1906–1920). Apart from such compositions intended for a staged dance performance, Ravel had demonstrated an interest in composing re-styled dances, from his earliest successes—the 1895 Menuet and the 1899 Pavane—to his more mature works like Le tombeau de Couperin, which takes the format of a dance suite.
Boléro epitomises Ravel's preoccupation with restyling and reinventing dance movements. It was also one of the last pieces he composed before illness forced him into retirement. The two piano concertos and the song cycle Don Quichotte à Dulcinée were the only completed compositions that followed Boléro.
The instrumentation calls for a sopranino saxophone in F, which never existed (modern sopraninos are in E♭). At the first performance, both the sopranino and soprano saxophone parts were played on the B♭ soprano saxophone, a tradition which continues to this day.
Boléro is "Ravel's most straightforward composition in any medium".[5] The music is in C major, 3/4 time, beginning pianissimo and rising in a continuous crescendo to fortissimo possibile (as loud as possible). It is built over an unchanging ostinato rhythm played on one or more snare drums that remains constant throughout the piece:
0:00
On top of this rhythm two melodies are heard, each of 18 bars' duration, and each played twice alternately. The first melody is diatonic, the second melody introduces more jazz-influenced elements, with syncopation and flattened notes (technically it is in the Phrygian mode). The first melody descends through one octave, the second melody descends through two octaves. The bass line and accompaniment are initially played on pizzicato strings, mainly using rudimentary tonic and dominant notes. Tension is provided by the contrast between the steady percussive rhythm, and the "expressive vocal melody trying to break free".[16] Interest is maintained by constant reorchestration of the theme, leading to a variety of timbres, and by a steady crescendo. Both themes are repeated a total of eight times. At the climax, the first theme is repeated a ninth time, then the second theme takes over and breaks briefly into a new tune in E major before finally returning to the tonic key of C major.
chitoliro
kèn xắc xô phôn
pūtohe
sacsafón
sacsoffon
saks
saksafon
saksafoni
saksofon
saksofonas
saksofoni
saksofono
saksofons
saksofoon
saksopon
sassofono
Saxofoi
saxofon
saxofón
saxófón
saxòfon
saxofone
saxofoon
Saxophon
saxophone
کے
szakszofon
σαξόφωνο
Сакс
саксафон
саксофон
սաքսոֆոն
საქსაფონი
サクソフォン
סאַקסאָפאָן
סקסופון
ساكسفون
ساکسیفون
किल्ल्या असलेले एक वायुवाद्य
सैक्सोफोन
স্যাক্সোফোন
સેક્સોફોન
சாக்ஸபோன்
శాక్సోఫోన్
ಸ್ಯಾಕ್ಸೋಫೋನ್
แซ็กโซโฟน
ស្រឡៃ
색소폰
萨克管
薩克管
best saxophone covers of popular songs
top sax cover
6 سال پیش
در تاریخ 1397/03/24 منتشر شده
است.
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