Sandro Botticelli : A collection of 164 Paintings (HD) [Early Renaissance]
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Sandro Botticelli : A collection
Sandro Botticelli : A collection of 164 Paintings (HD) [Early Renaissance]
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi
- Born: c.1445
- Died: 17 May 1510
- Active Years: 1465 - 1505
- Nationality: Italian
- Art Movement: Early Renaissance
- Painting School: Florentine School
- Field: painting
- Influenced by: Masaccio
- Influenced on: Walter Crane
- Teachers: Filippo Lippi
- Friends and Co-workers: Leonardo da Vinci, Pietro Perugino, Domenico Ghirlandaio
Wikipedia: en.wikipedia.org/wiki/Sandro_Botticelli
-----------------------------
Alessandro di Mariano di Vanni Filipepi (c. 1445[2] – May 17, 1510), known as Sandro Botticelli, was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici, a movement that Giorgio Vasari would characterize less than a hundred years later in his Vita of Botticelli as a "golden age". Botticelli's posthumous reputation suffered until the late 19th century; since then, his work has been seen to represent the linear grace of Early Renaissance painting.
As well as the small number of mythological subjects which are his best known works today, he painted a wide range of religious subjects and also some portraits. He and his workshop were especially known for their Madonna and Childs, many in the round tondo shape. Botticelli's best-known works are The Birth of Venus and Primavera, both in the Uffizi in Florence. He lived all his life in the same neighbourhood of Florence, with probably his only significant time elsewhere the months he spent painting in Pisa in 1474 and the Sistine Chapel in Rome in 1481–82.
Only one of his paintings is dated, though others can be dated from other records with varying degrees of certainty, and the development of his style traced with confidence. He was an independent master for all the 1470s, growing in mastery and reputation, and the 1480s were his most successful decade, when all his large mythological paintings were done, and many of his best Madonnas. By the 1490s his style became more personal and to some extent mannered, and he could be seen as moving in a direction opposite to that of a new generation of painters, creating the High Renaissance style just as Botticelli returned in some ways to the Gothic.
He has been described as "an outsider in the mainstream of Italian painting", who had a limited interest in many of the developments most associated with Quattrocento painting, such as the realistic depiction of human anatomy, perspective, and landscape, and the use of direct borrowings from classical art. His training enabled him to represent all these aspects of painting, without contributing to their development.
Botticelli's linear style was relatively easy to imitate, making different contributions within one work hard to identify, though the quality of the master's drawing makes works entirely by others mostly identifiable. The attribution of many works remains debated, especially in terms of distinguishing the share of work between master and workshop. Lightbown believed that "the division between Botticelli's autograph works and the paintings from his workshop and circle is a fairly sharp one", and that in only one major work on panel "do we find important parts executed by assistants";but others might disagree.
The National Gallery have an Adoration of the Kings of about 1470, which they describe as begun by Filippino Lippi but finished by Botticelli, noting how unusual it was for a master to take over a work begun by a pupil.
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Check out My Playlists here \/
----------------------------------------------------
BAROQUE [Post Renaissance Art] : Playlist
HIGH RENAISSANCE [Renaissance Art]: Playlist
EARLY RENAISSANCE [RENAISSANCE ARTS] : Playlist
PROTO RENAISSANCE [Renaissance Art] : Playlist
Medieval Art : Playlist
SKETCHES AND DRAWINGS COLLECTION : Playlist
THE HIGHLIGHT: Playlist
Updating ...
_____
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Google+: https://plus.google.com/1168668573887...
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Contact: [email protected]
Thank you for your support!
:| 9Tv |:
No Arts No Life
© Copyright by 9Tv
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi
- Born: c.1445
- Died: 17 May 1510
- Active Years: 1465 - 1505
- Nationality: Italian
- Art Movement: Early Renaissance
- Painting School: Florentine School
- Field: painting
- Influenced by: Masaccio
- Influenced on: Walter Crane
- Teachers: Filippo Lippi
- Friends and Co-workers: Leonardo da Vinci, Pietro Perugino, Domenico Ghirlandaio
Wikipedia: en.wikipedia.org/wiki/Sandro_Botticelli
-----------------------------
Alessandro di Mariano di Vanni Filipepi (c. 1445[2] – May 17, 1510), known as Sandro Botticelli, was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici, a movement that Giorgio Vasari would characterize less than a hundred years later in his Vita of Botticelli as a "golden age". Botticelli's posthumous reputation suffered until the late 19th century; since then, his work has been seen to represent the linear grace of Early Renaissance painting.
As well as the small number of mythological subjects which are his best known works today, he painted a wide range of religious subjects and also some portraits. He and his workshop were especially known for their Madonna and Childs, many in the round tondo shape. Botticelli's best-known works are The Birth of Venus and Primavera, both in the Uffizi in Florence. He lived all his life in the same neighbourhood of Florence, with probably his only significant time elsewhere the months he spent painting in Pisa in 1474 and the Sistine Chapel in Rome in 1481–82.
Only one of his paintings is dated, though others can be dated from other records with varying degrees of certainty, and the development of his style traced with confidence. He was an independent master for all the 1470s, growing in mastery and reputation, and the 1480s were his most successful decade, when all his large mythological paintings were done, and many of his best Madonnas. By the 1490s his style became more personal and to some extent mannered, and he could be seen as moving in a direction opposite to that of a new generation of painters, creating the High Renaissance style just as Botticelli returned in some ways to the Gothic.
He has been described as "an outsider in the mainstream of Italian painting", who had a limited interest in many of the developments most associated with Quattrocento painting, such as the realistic depiction of human anatomy, perspective, and landscape, and the use of direct borrowings from classical art. His training enabled him to represent all these aspects of painting, without contributing to their development.
Botticelli's linear style was relatively easy to imitate, making different contributions within one work hard to identify, though the quality of the master's drawing makes works entirely by others mostly identifiable. The attribution of many works remains debated, especially in terms of distinguishing the share of work between master and workshop. Lightbown believed that "the division between Botticelli's autograph works and the paintings from his workshop and circle is a fairly sharp one", and that in only one major work on panel "do we find important parts executed by assistants";but others might disagree.
The National Gallery have an Adoration of the Kings of about 1470, which they describe as begun by Filippino Lippi but finished by Botticelli, noting how unusual it was for a master to take over a work begun by a pupil.
--------------------------------------
Check out My Playlists here \/
----------------------------------------------------
BAROQUE [Post Renaissance Art] : Playlist
HIGH RENAISSANCE [Renaissance Art]: Playlist
EARLY RENAISSANCE [RENAISSANCE ARTS] : Playlist
PROTO RENAISSANCE [Renaissance Art] : Playlist
Medieval Art : Playlist
SKETCHES AND DRAWINGS COLLECTION : Playlist
THE HIGHLIGHT: Playlist
Updating ...
_____
SUBSCRIBE: @learnfrommasters69
Google+: https://plus.google.com/1168668573887...
Twitter: Twitter: _NineTv
Facebook: Facebook: 9Tv-230691850953077
Contact: [email protected]
Thank you for your support!
:| 9Tv |:
No Arts No Life
© Copyright by 9Tv
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