The Most Generic Lens Ever: The Case Against 16-35mm Lenses
428 بار بازدید -
7 ماه پیش
-
The infamous 16-35mm lens, we
The infamous 16-35mm lens, we all own one, and it is very likely one of the first lenses you ever picked up for your camera, but it’s time to move on. This video is likely going to rustle some feathers, as this lens is a very popular choice in the industry, particularly for videographers and photographers starting their journey.
I used this lens for years as my go to workhorse underwater lens, and this realisation is truly something that I wish I had learnt sooner. The 16-35 is hindering your work, and is producing the most generic look you can capture, hear me out.
One of the reasons the 16-35mm is a staple in most beginner shooters camera bags, is that this lens is quite versatile. The lens covers a wide focal length range, from 16mm for landscapes to 35mm for a touch of zoom. It's the go-to lens for a lot of tourism and travel, street, and underwater photography, and if you’ve invested in an f2.8 model, it allows for some slight depth of field at the tight end.
But what this lens makes up for in versatility, it lacks in mastery. In my opinion, the 16-35mm look provides the most generic looking image available. It’s not wide enough to be interesting, nor is it tight enough to provide close ups or produce any real depth of field. On either end of it’s focal length, it produces such a classically generic image, from sorta wide, to sorta not tight.
-- Cinematographer Bio --
Tom Park is an accomplished underwater cinematographer and director, with over a decade of experience working in the underwater film industry. Tom has worked on a variety of projects, from short form docu-series to commercials and brand campaigns, for clients such as The National Gallery of Victoria, Tourism & Events Queensland, Destination NSW, The Smithsonian, and his work has been recognised with awards from film festivals around the world.
Tom is known for his technical expertise in working with underwater cameras and equipment, as well as his creative vision in capturing the beauty and uniqueness of the underwater world. He is passionate about ocean conservation and using his art to raise awareness about the importance of protecting marine ecosystems.
If you are looking for a dedicated underwater cinematographer in your documentary film crew, or are a brand looking to create an unforgettable marketing campaign, Tom has the skills and experience to help you bring your vision to life.
For more visit my website: www.tomparkfilms.com
or find my work on socials at www.instagram.com/tomsunderwaterphotography
For business enquires only, please shoot me a message at [email protected]
I used this lens for years as my go to workhorse underwater lens, and this realisation is truly something that I wish I had learnt sooner. The 16-35 is hindering your work, and is producing the most generic look you can capture, hear me out.
One of the reasons the 16-35mm is a staple in most beginner shooters camera bags, is that this lens is quite versatile. The lens covers a wide focal length range, from 16mm for landscapes to 35mm for a touch of zoom. It's the go-to lens for a lot of tourism and travel, street, and underwater photography, and if you’ve invested in an f2.8 model, it allows for some slight depth of field at the tight end.
But what this lens makes up for in versatility, it lacks in mastery. In my opinion, the 16-35mm look provides the most generic looking image available. It’s not wide enough to be interesting, nor is it tight enough to provide close ups or produce any real depth of field. On either end of it’s focal length, it produces such a classically generic image, from sorta wide, to sorta not tight.
-- Cinematographer Bio --
Tom Park is an accomplished underwater cinematographer and director, with over a decade of experience working in the underwater film industry. Tom has worked on a variety of projects, from short form docu-series to commercials and brand campaigns, for clients such as The National Gallery of Victoria, Tourism & Events Queensland, Destination NSW, The Smithsonian, and his work has been recognised with awards from film festivals around the world.
Tom is known for his technical expertise in working with underwater cameras and equipment, as well as his creative vision in capturing the beauty and uniqueness of the underwater world. He is passionate about ocean conservation and using his art to raise awareness about the importance of protecting marine ecosystems.
If you are looking for a dedicated underwater cinematographer in your documentary film crew, or are a brand looking to create an unforgettable marketing campaign, Tom has the skills and experience to help you bring your vision to life.
For more visit my website: www.tomparkfilms.com
or find my work on socials at www.instagram.com/tomsunderwaterphotography
For business enquires only, please shoot me a message at [email protected]
7 ماه پیش
در تاریخ 1402/10/21 منتشر شده
است.
428
بـار بازدید شده