The First Accuser: The Real Abigail Williams of Salem Village
22.6 هزار بار بازدید -
9 سال پیش
-
Bloom, Harold. Modern Critical Interpretations:
Bloom, Harold. Modern Critical Interpretations: Arthur Miller’s The Crucible. Philadelphia: Chelsea House, 1999.
Brooks, R. (2013. January 2). Tituba: The Slave of Salem. Retrieved from http://historyofmassachusetts.org/tit...
Burns, Margo (October 18, 2012). Arthur Miller’s The Crucible: Fact & Fiction. Retrieved from
http://www.17thc.us/docs/fact-fiction...
DeMaere, Trevor. (March 2014). "Dramatic Piano/Classical Music - Encrypted Dreams" Retrieved from Trevor DeMaere - Encrypted Dreams (Be...
Miller, Arthur. (October 21, 1996). “Why I Wrote The Crucible: an Artist’s Answer to Politics.” The New Yorker. Retrieved from
http://www.plosin.com/beatbegins/arch...
Wren, Cella. (March 1, 2014). “The Salem Witch Trials 60 Years After The Crucible.” The Washington Post. Retrieved from
https://www.washingtonpost.com/entert...
Brooks, R. (2013. January 2). Tituba: The Slave of Salem. Retrieved from http://historyofmassachusetts.org/tit...
Burns, Margo (October 18, 2012). Arthur Miller’s The Crucible: Fact & Fiction. Retrieved from
http://www.17thc.us/docs/fact-fiction...
DeMaere, Trevor. (March 2014). "Dramatic Piano/Classical Music - Encrypted Dreams" Retrieved from Trevor DeMaere - Encrypted Dreams (Be...
Miller, Arthur. (October 21, 1996). “Why I Wrote The Crucible: an Artist’s Answer to Politics.” The New Yorker. Retrieved from
http://www.plosin.com/beatbegins/arch...
Wren, Cella. (March 1, 2014). “The Salem Witch Trials 60 Years After The Crucible.” The Washington Post. Retrieved from
https://www.washingtonpost.com/entert...
9 سال پیش
در تاریخ 1394/07/21 منتشر شده
است.
22,652
بـار بازدید شده