walter scott murch

Walter Murch - A practical approach to the six rules of film editing (294/320)

3:05

Walter Murch - A practical approach to the six rules of film editing (294/320)
Walter Murch on His Upcoming Book --- Suddenly Something Clicked

18:15

Walter Murch on His Upcoming Book --- Suddenly Something Clicked
Walter Murch - Never cut on the blink! (71/320)

2:04

Walter Murch - Never cut on the blink! (71/320)
Walter Murch - 'Apocalypse Now': The General's speech scene (113/320)

2:36

Walter Murch - 'Apocalypse Now': The General's speech scene (113/320)
Walter Murch - Marlon Brando – the film editor's nightmare (284/320)

2:59

Walter Murch - Marlon Brando – the film editor's nightmare (284/320)
Walter Murch - The six criteria of film editing (293/320)

6:21

Walter Murch - The six criteria of film editing (293/320)
Walter Murch - The decision to switch from Avid to Final Cut Pro (217/320)

5:55

Walter Murch - The decision to switch from Avid to Final Cut Pro (217/320)
Walter Murch - 'The Conversation': Restructuring the story (60/320)

5:26

Walter Murch - 'The Conversation': Restructuring the story (60/320)
Walter Murch - Problems with the sound dynamics in 'The Godfather II' (66/320)

5:23

Walter Murch - Problems with the sound dynamics in 'The Godfather II' (66/320)
Walter Murch - The significance of sound (6/320)

3:17

Walter Murch - The significance of sound (6/320)
Walter Murch - 'The Conversation': Finding the right timing and dosage (59/320)

3:31

Walter Murch - 'The Conversation': Finding the right timing and dosage (59/320)
Walter Murch - 'He'd kill us if he had the chance' (64/320)

3:33

Walter Murch - 'He'd kill us if he had the chance' (64/320)
Walter Murch - The underlying message in' Return to Oz' (128/320)

4:35

Walter Murch - The underlying message in' Return to Oz' (128/320)
Walter Murch - The law of 30% (85/320)

4:01

Walter Murch - The law of 30% (85/320)
Walter Murch - You are a sound man – you can edit the picture (56/320)

4:41

Walter Murch - You are a sound man – you can edit the picture (56/320)
Walter Murch - 'The Conversation': 'Plunged into the editing' (58/320)

4:39

Walter Murch - 'The Conversation': 'Plunged into the editing' (58/320)
Walter Murch - Embodied sound (117/320)

4:07

Walter Murch - Embodied sound (117/320)
Walter Murch - 'Never complain, never explain' (34/320)

1:00

Walter Murch - 'Never complain, never explain' (34/320)
Walter Murch - Why 'Return to Oz' seems scary (127/320)

4:54

Walter Murch - Why 'Return to Oz' seems scary (127/320)
Walter Murch - 'Apocalypse Now': Editing the opening scene (100/320)

2:32

Walter Murch - 'Apocalypse Now': Editing the opening scene (100/320)
Walter Murch - Why I prefer nodal editing to matching action (72/320)

4:17

Walter Murch - Why I prefer nodal editing to matching action (72/320)
Walter Murch - Television changes everything (3/320)

1:46

Walter Murch - Television changes everything (3/320)
Walter Murch - Harvey Keitel in Apocalypse Now (114/320)

00:54

Walter Murch - Harvey Keitel in Apocalypse Now (114/320)
Walter Murch - The excellent casting of 'The Godfather' (159/320)

4:47

Walter Murch - The excellent casting of 'The Godfather' (159/320)
Walter Murch - Filming THX 1138 (31/320)

2:53

Walter Murch - Filming THX 1138 (31/320)
Interviewing a Legendary Film Editor, Walter Murch

28:20

Interviewing a Legendary Film Editor, Walter Murch
Walter Murch - 'The Rain People' (25/320)

1:40

Walter Murch - 'The Rain People' (25/320)
Walter Murch - What matters the most in film editing? (295/320)

3:23

Walter Murch - What matters the most in film editing? (295/320)
Walter Murch - Movies sound better in colour (40/320)

3:01

Walter Murch - Movies sound better in colour (40/320)
Walter Murch - 'The English Patient': Katharine and Almásy love story (175/320)

5:46

Walter Murch - 'The English Patient': Katharine and Almásy love story (175/320)
Walter Murch - Living with Thomas Edison's legacy (2/320)

2:09

Walter Murch - Living with Thomas Edison's legacy (2/320)
Walter Murch - Academic Acropolis (1/320)

00:52

Walter Murch - Academic Acropolis (1/320)
Walter Scott Murch talks about Walter Tandy Murch and the use of abandoned objects in his art

4:42

Walter Scott Murch talks about Walter Tandy Murch and the use of abandoned objects in his art
Sheffield Doc/Fest 2013: Walter Murch: From The Godfather to The God Particle

1:26:37

Sheffield Doc/Fest 2013: Walter Murch: From The Godfather to The God Particle
Walter Murch - 'Touch of Evil': Welles's ideas for the opening scene (186/320)

2:19

Walter Murch - 'Touch of Evil': Welles's ideas for the opening scene (186/320)
Walter Murch - 'The English Patient': The interrogation scene (176/320)

5:29

Walter Murch - 'The English Patient': The interrogation scene (176/320)
Walter Murch - 'The English Patient': The first steps in digital editing (170/320)

3:40

Walter Murch - 'The English Patient': The first steps in digital editing (170/320)
Walter Murch - Creativity and Cairns-Smith's theory on origin of life (307/320)

3:02

Walter Murch - Creativity and Cairns-Smith's theory on origin of life (307/320)
Walter Murch - 'In case The Godfather is not a hit… (84/320)

1:49

Walter Murch - 'In case The Godfather is not a hit… (84/320)
Walter Murch - 'The Conversation': The last ten pages to shoot (61/320)

3:10

Walter Murch - 'The Conversation': The last ten pages to shoot (61/320)
Walter Murch - Michael Jackson – Peter Pan and astute businessman in one person (148/320)

3:39

Walter Murch - Michael Jackson – Peter Pan and astute businessman in one person (148/320)
Walter Murch - 'Worldizing' the film sound (50/320)

4:34

Walter Murch - 'Worldizing' the film sound (50/320)
Walter Murch - Will 'The Godfather' be successful? (51/320)

4:28

Walter Murch - Will 'The Godfather' be successful? (51/320)
Walter Murch - The principal challenge of our documentary (265/320)

2:07

Walter Murch - The principal challenge of our documentary (265/320)
Walter Murch - Fixing the dynamic range and learning my lesson (67/320)

1:52

Walter Murch - Fixing the dynamic range and learning my lesson (67/320)
Walter Murch - What is musique concrete? (12/320)

2:21

Walter Murch - What is musique concrete? (12/320)
Frames of Representation: The Art of the Edit: A Masterclass with Walter Murch

1:03:34

Frames of Representation: The Art of the Edit: A Masterclass with Walter Murch
"The English Patient" winning the Oscar® for Sound

2:48

"The English Patient" winning the Oscar® for Sound
Walter Murch: Making the Right Editing Choices & Switching to Adobe Premiere Pro CC | Creative Cloud

49:52

Walter Murch: Making the Right Editing Choices & Switching to Adobe Premiere Pro CC | Creative Cloud
How to Use Walter Murch's Eye Trace to "Direct the Eye" with Cinematic Editing #filmeditingtechnique

6:12

How to Use Walter Murch's Eye Trace to "Direct the Eye" with Cinematic Editing #filmeditingtechnique
Walter Murch - How the brain processes image and sound (39/320)

3:33

Walter Murch - How the brain processes image and sound (39/320)
Walter Murch - 'The English Patient': The complicated switch from film to digital (169/320)

4:22

Walter Murch - 'The English Patient': The complicated switch from film to digital (169/320)
Walter Murch - My greatest ambition: to be a subway driver (7/320)

4:13

Walter Murch - My greatest ambition: to be a subway driver (7/320)
In the Blink of an Eye - Walter Murch's Editing Theory Tested

8:36

In the Blink of an Eye - Walter Murch's Editing Theory Tested
Walter Murch - Seeing things in slow motion (316/320)

5:12

Walter Murch - Seeing things in slow motion (316/320)
Walter Murch - The creative spiral between film, editing and music (133/320)

5:40

Walter Murch - The creative spiral between film, editing and music (133/320)
Walter Murch - Marlon Brando's analysis of the ADR process (261/266)

3:15

Walter Murch - Marlon Brando's analysis of the ADR process (261/266)
Walter Murch - 'Every film is a tree that grows' (73/320)

1:59

Walter Murch - 'Every film is a tree that grows' (73/320)
Walter Murch - 'American Graffiti': The soundtrack (54/320)

4:22

Walter Murch - 'American Graffiti': The soundtrack (54/320)
Walter Murch - Writing the screenplay for 'Return to Oz' (120/320)

3:03

Walter Murch - Writing the screenplay for 'Return to Oz' (120/320)